a child.
“I had no idea,” I said. Of all the places the railway had taken me since London, this was the loveliest.
“No one knows it,” said Cobra Two. “No one in the States has the slightest idea how beautiful it is. Look at that—God, look at that!”
We were at the fringes of a bay that was green and sparkling in bright sunlight. Beyond the leaping jade plates of the sea was an overhang of cliffs and the sight of a valley so large it contained sun, smoke, rain, and cloud—all at once—independent quantities of color. I had been unprepared for this beauty; it surprised and humbled me in the same degree the emptiness had in rural India. Who has mentioned the simple fact that the heights of Vietnam are places of unimaginable grandeur? Though we can hardly blame a frightened draftee for not noticing this magnificence, we should have known all along that the French would not have colonized it, nor would the Americans have fought so long, if such ripeness did not invite the eye to take it.
“That’s the Ashau Valley,” said Cobra One, who until then had been doing an amusing imitation of Walter Brennan. The ridges mounted into the mist; below them, in the smoke and sun, were deep black gorges marked by waterfalls. Cobra One was shaking his head: “A lot of good men died there.”
Dazzled by the scenery, I walked through the train and saw a blind man feeling his way to the door—I could hear his lungs working like a bellows; wrinkled old ladies with black teeth and black pajamas clutched wicker bales ofspring onions; and soldiers—one ashen-faced in a wheelchair, one on crutches, others with new bandages on their hands and heads, and all of them in the American uniforms that suggested travesty in its true sense. An official moved through the coaches checking the ID cards of civilian males, looking for draft evaders. This official got tangled in the piece of string held by a blind man and attached to the waist of a child leading him. There were many armed soldiers on the train, but none looked like escorts. The train was defended by concentrations of soldiers at those bridge emplacements, and this is perhaps why it is so easy to blow up the line with command-detonated mines. These mines are slipped under the rails at night; when the train goes over one of them, a hidden man—who might be a Viet Cong or a bomber hired by a trucker in Danang—explodes the charge.
Twice during that trip, at small station sidings, children were offered to me by old ladies; they were like the pale-skinned, light-haired children I had seen in Can Tho and Bien Hoa. But these were older, perhaps four or five, and it was strange to hear these American-looking children speaking Vietnamese. It was even stranger to see the small Vietnamese farmers in the vastness of a landscape whose beautiful trees and ravines and jade crags—these launched from cloud banks—hid their enemies. From the train I could turn my eyes to the mountains and almost forget the country’s name, but the truth was closer and cruel: the Vietnamese had been damaged and then abandoned, almost as if, dressed in our clothes, they had been mistaken for us and shot at; as if, just when they had come to believe that we were identified with them, we had bolted. It was not that simple, but it was nearer to describing that sad history than the urgent opinions of anguished Americans who, stropping Occam’s Razor, classified the war as a string of atrocities, a series of purely political errors, or a piece of interrupted heroism. The tragedy was that we had come, and, from the beginning, had not planned to stay: Danang was to be proof of that.
The train was under the gigantic Hai Van Pass (“The Pass of Clouds”), a natural division on the north side ofDanang, like a Roman wall. If the Viet Cong got past it the way would be clear to Danang, and already the Viet Cong were bivouacked on the far slopes, waiting. Like the other stretches between Huè and Danang, the most
“I had no idea,” I said. Of all the places the railway had taken me since London, this was the loveliest.
“No one knows it,” said Cobra Two. “No one in the States has the slightest idea how beautiful it is. Look at that—God, look at that!”
We were at the fringes of a bay that was green and sparkling in bright sunlight. Beyond the leaping jade plates of the sea was an overhang of cliffs and the sight of a valley so large it contained sun, smoke, rain, and cloud—all at once—independent quantities of color. I had been unprepared for this beauty; it surprised and humbled me in the same degree the emptiness had in rural India. Who has mentioned the simple fact that the heights of Vietnam are places of unimaginable grandeur? Though we can hardly blame a frightened draftee for not noticing this magnificence, we should have known all along that the French would not have colonized it, nor would the Americans have fought so long, if such ripeness did not invite the eye to take it.
“That’s the Ashau Valley,” said Cobra One, who until then had been doing an amusing imitation of Walter Brennan. The ridges mounted into the mist; below them, in the smoke and sun, were deep black gorges marked by waterfalls. Cobra One was shaking his head: “A lot of good men died there.”
Dazzled by the scenery, I walked through the train and saw a blind man feeling his way to the door—I could hear his lungs working like a bellows; wrinkled old ladies with black teeth and black pajamas clutched wicker bales ofspring onions; and soldiers—one ashen-faced in a wheelchair, one on crutches, others with new bandages on their hands and heads, and all of them in the American uniforms that suggested travesty in its true sense. An official moved through the coaches checking the ID cards of civilian males, looking for draft evaders. This official got tangled in the piece of string held by a blind man and attached to the waist of a child leading him. There were many armed soldiers on the train, but none looked like escorts. The train was defended by concentrations of soldiers at those bridge emplacements, and this is perhaps why it is so easy to blow up the line with command-detonated mines. These mines are slipped under the rails at night; when the train goes over one of them, a hidden man—who might be a Viet Cong or a bomber hired by a trucker in Danang—explodes the charge.
Twice during that trip, at small station sidings, children were offered to me by old ladies; they were like the pale-skinned, light-haired children I had seen in Can Tho and Bien Hoa. But these were older, perhaps four or five, and it was strange to hear these American-looking children speaking Vietnamese. It was even stranger to see the small Vietnamese farmers in the vastness of a landscape whose beautiful trees and ravines and jade crags—these launched from cloud banks—hid their enemies. From the train I could turn my eyes to the mountains and almost forget the country’s name, but the truth was closer and cruel: the Vietnamese had been damaged and then abandoned, almost as if, dressed in our clothes, they had been mistaken for us and shot at; as if, just when they had come to believe that we were identified with them, we had bolted. It was not that simple, but it was nearer to describing that sad history than the urgent opinions of anguished Americans who, stropping Occam’s Razor, classified the war as a string of atrocities, a series of purely political errors, or a piece of interrupted heroism. The tragedy was that we had come, and, from the beginning, had not planned to stay: Danang was to be proof of that.
The train was under the gigantic Hai Van Pass (“The Pass of Clouds”), a natural division on the north side ofDanang, like a Roman wall. If the Viet Cong got past it the way would be clear to Danang, and already the Viet Cong were bivouacked on the far slopes, waiting. Like the other stretches between Huè and Danang, the most
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