Soul Mountain

Soul Mountain by Gao Xingjian

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Authors: Gao Xingjian
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suddenly lurching from one side to the other, I am deranged. I must immediately calm down, return to the original spot, no, I must get my bearings. But in every direction are towering grey-black trees, I can’t distinguish anything, I have seen everything before, yet it seems I haven’t. The blood vessels in my forehead start throbbing. Clearly, nature is toying with me, toying with this unbelieving, unfearing, supercilious, insignificant being.
    Hey – Hello – Hey – I yell out. I did not ask the name of the person who brought me into the mountains so I can only hysterically shout out like this, like a wild animal, and the sound makes my hair stand on end. I used to think there were echoes in mountain forests, even the most wretched and lonely of echoes wouldn’t be as terrifying as this absence of echoes. Echoes here are absorbed by the heavy mists and the humidity-laden atmosphere. I realize that my shouting probably doesn’t transmit and I sink into utter despair.
    The grey sky silhouettes a strangely-shaped tree. The sloping trunk branches into two parts, both similar in girth and both growing straight up without further branching. It is leafless, bare, dead, and looks like a giant fish-spear pointing into the sky. This is what makes it unique. Having got here, I would be at the edge of the forest, so below the edge of the forest should be that dark ravine, at this moment enshrouded in heavy mist, a path straight to death. But I can’t leave this tree, it’s the only sign I can recognize. I scour my memory for sights I saw along the way. I have first to find identifiable images like this and not a string of images in a state of flux. I seem to recall a few and try to arrange them into sequence to serve as signposts I can follow back. But what I recall is useless, like a deck of shuffled cards and the more I try to arrange some sort of order the more scrambled it all becomes. I am absolutely exhausted and can only sit myself down on the wet moss.
    I have become separated from my guide just like that, lost in the three thousand metres of ancient forest in the 12M band of the aviation chart. I don’t have the chart on me, nor do I have a compass. The only thing I find in my pockets is a handful of sweets given to me a few days ago by the old botanist who has already gone down the mountain. At the time he was passing on to me what had been his experience – when you go into the mountains it’s best to take along some sweets in case you happen to get lost. I count how many I have in my trouser pocket: there are seven. I can only wait for my guide to come and find me.
    The stories I have heard over the past few days of people dying in the mountains all transform into bouts of terror which envelop me. At this moment I am like a fish which has fallen into terror’s net, impaled upon this giant fish-spear. Futile to struggle while impaled upon the fish-spear: it will take a miracle to change my fate. But haven’t I been waiting for this or that sort of miracle all of my life?

 

     
     
    She says, later she says, she really wants to die, it would be so easy. She would stand on the high embankment, close her eyes and just jump! But if she landed on the steps of the embankment, it would be awful, she doesn’t dare imagine the sight of dying horribly with her brains splattered everywhere – it would be ghastly. Her death must be beautiful so that people will feel sorry for her, pity her, and weep for her.
    She says she would go along the embankment upstream, find a sandy bay and walk from the foot of the embankment into the river. Of course she wouldn’t be noticed and no-one would know, she would walk into the dark river at night. She wouldn’t take off her shoes, she doesn’t want to leave anything behind. She would just walk into the river with her shoes on, one step at a time, right into the water. By the time the water was waist high, even before it came up to her chest and breathing was hard, the

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