Wild Cards: Death Draws Five by George R.R. Martin, John J. Miller

act the part.
    “I said, shut up,” he repeated, putting his hand on the top of her head, “and get the Hell down.”
    He shoved hard enough to push her to the floor and she crawled under the stage furniture. That was the safest place for her. He turned away, hoping she’d stay put. He couldn’t waste any more time on her.
    More sounds of gunfire and terror came from the auditorium. Ray, and Angel, Jerry supposed, were keeping the bad guys off the stage. At least for the moment. Jerry went swiftly to the overturned sofa where Peregrine huddled over the bloody, unmoving body of her son. He vaulted over the divan and went down to one knee beside her. Her teeth were clenched. She was panting like a hyperventilating dog, or a woman trying to give birth.
    “He’s all right,” she gasped out. “Not hurt. Hit his head when the sofa went over. Just knocked out. Be... all... right...”
    Her voice started to fade. Jerry took her arm and half lifted her off the boy, wincing at what he saw. A line of slugs stitched sideways across Peregrine’s body from her loins, across her abdomen and chest to her right wing where feathers had been shot away and delicate bones shattered.
    “Christ,” he said in a low voice.
    It didn’t look good. He stripped his off shirt, ripped it to rags and applied pressure bandages as best he could to what seemed to be Peregrine’s worst wounds. Her only response was to moan feebly. There wasn’t anything else he could do for her, and he realized that Peregrine didn’t have much time left if she didn’t receive immediate medical attention. He turned his attention to John Fortune, thinking that Peregrine really needed his new-found ace abilities. But the kid was still out cold.
    What a time to get knocked senseless, Jerry thought. He tried to revive the boy, but the best he could get from him was an unintelligible groan. He could feel a knot on the back of the kid’s skull the size of a golf ball. He must have really slammed his head hard on the floor when the sofa had tipped over on them.
    Jerry felt as useless as Rock Hudson in the opening scenes of one of his screwball comedies. He didn’t want to mess around with the kid, in case he had a real head injury. And Peregrine needed expert attention, fast. Someone would have to help. Angel, he thought. Or Ray...
    Jerry stood and went swiftly to the edge of the stage, shielded his eyes from the light and looked out just in time to see Ray go mano a mano with a chubby little guy who looked like someone’s favorite older uncle until the guy suddenly turned into something that wasn’t so avuncular. Jerry recognized the transformed man. He was the British killer ace called Butcher Dagon.
    Eerily, it seemed as if the world had stopped to watch their breathtaking exhibition of violence. He saw Angel, some stiff who was much too good-looking for his own good, and even a few of the goons with guns as well as some of the crazy-scared onlookers pause to take a breath as Ray and Dagon tore at each other like gladiators from another, much more savage age.
    For a moment John Fortune was forgotten. Even Peregrine slipped from his mind until the epic battle ended with the brilliant one-two punch of Angel and Ray cold-cocking the British ace.
    Jerry saw the handsome guy climb onto the stage. Some of the surviving gunmen followed him. Fortunately none were near Jerry. He knew that he had only a few moments in which to make the right move. Peregrine was now beyond any help he could give her. There was only the kid, his sacred charge, to consider. He suddenly knew what to do.
    He ripped off his clothes and the lights went out as he took on mass.
    The auditorium fell into utter darkness. It was all very much like that night back in ‘65 when he’d turned into the Big Ape and sucked enough energy out of his surroundings to start a chain reaction that blacked out New York City and ultimately most of the eastern seaboard.
    Energy to mass, as the equation went. This