There was a time when the woods near Duva ate girls.
It’s been many years since any child was taken. But still, on nights like these, when the wind comes cold from Tsibeya, mothers hold their daughters tight and warn them not to stray too far from home. “Be back before dark,” they whisper. “The trees are hungry tonight.”
In those black days, on the edge of these very woods, there lived a girl named Nadya and her brother Havel, the children of Maxim Grushov, a carpenter and woodcutter. Maxim was a good man, well liked in the village. He made roofs that did not leak or bend, sturdy chairs, toys when they were called for, and his clever hands could fashion edges so smooth and fasten joints so neatly you might never find the seam. He traveled all over the countryside seeking work, to towns as far as Ryevost. He went by foot and by hay cart when the weather was kind, and in the winter, he hitched his two black horses to a sledge, kissed his children, and set out in the snow. Always he returned home to them, carrying bags of grain or a new bolt of wool, his pockets stuffed with candy for Nadya and her brother.
But when the famine came, people had no coin and nothing to trade for a prettily carved table or a wooden duck. They used their furniture for kindling and prayed they would make it through to spring. Maxim was forced to sell his horses, and then the sledge they’d once pulled over the snow-blanketed roads.
As Maxim’s luck faded, so did his wife. Soon she was more ghost than woman, drifting silently from room to room. Nadya tried to get her mother to eat what little food they had, giving up portions of turnip and potato, bundling her mother’s frail body in shawls and seating her on the porch in the hope that the fresh air might return some appetite to her. The only thing she seemed to crave were little cakes made by the widow Karina Stoyanova, scented with orange blossom and thick with icing. Where Karina got the sugar, no one knew—though the old women had their theories, most of which involved a rich and lonely tradesman from the river cities. But eventually, even Karina’s supplies dwindled, and when the little cakes were gone Nadya’s mother would touch neither food nor drink, not even the smallest sip of tea.
Nadya’s mother died on the first real day of winter, when the last bit of autumn fled from the air, and any hope of a mild year went with it. But the poor woman’s death went largely unremarked upon, because two days before she finally breathed her last ghostly sigh, another girl went missing.
Her name was Lara Deniken, a shy girl with a nervous laugh, the type to stand at the edges of village dances watching the fun. All they found of her was a single leather shoe, its heel thick with crusted blood. She was the second girl lost in as many months, after Shura Yeshevsky went out to hang the wash on the line and never came back in, leaving nothing but a pile of clothespins and sodden sheets lying in the mud.
Real fear came upon the town. In the past, girls had vanished every few years. True, there were rumors of girls being taken from other villages from time to time, but those children hardly seemed real. Now, as the famine deepened and the people of Duva went without, it was as if whatever waited in the woods had grown greedier and more desperate, too.
Lara. Shura. All those who had gone before: Betya. Ludmilla. Raiza. Nikolena. Other names now forgotten. In those days, they were whispered like an incantation. Parents sent up prayers to their Saints, girls walked in pairs, people watched their neighbors with suspicious eyes. On the edge of the woods, the townspeople built crooked altars—careful stacks of painted icons, burnt-down prayer candles, little piles of flowers and beads.
Men grumbled about bears and wolves. They organized hunting parties, talked about burning sections of the forest. Poor simple-minded Uri Pankin was nearly stoned to death when he was found in possession of one
It’s been many years since any child was taken. But still, on nights like these, when the wind comes cold from Tsibeya, mothers hold their daughters tight and warn them not to stray too far from home. “Be back before dark,” they whisper. “The trees are hungry tonight.”
In those black days, on the edge of these very woods, there lived a girl named Nadya and her brother Havel, the children of Maxim Grushov, a carpenter and woodcutter. Maxim was a good man, well liked in the village. He made roofs that did not leak or bend, sturdy chairs, toys when they were called for, and his clever hands could fashion edges so smooth and fasten joints so neatly you might never find the seam. He traveled all over the countryside seeking work, to towns as far as Ryevost. He went by foot and by hay cart when the weather was kind, and in the winter, he hitched his two black horses to a sledge, kissed his children, and set out in the snow. Always he returned home to them, carrying bags of grain or a new bolt of wool, his pockets stuffed with candy for Nadya and her brother.
But when the famine came, people had no coin and nothing to trade for a prettily carved table or a wooden duck. They used their furniture for kindling and prayed they would make it through to spring. Maxim was forced to sell his horses, and then the sledge they’d once pulled over the snow-blanketed roads.
As Maxim’s luck faded, so did his wife. Soon she was more ghost than woman, drifting silently from room to room. Nadya tried to get her mother to eat what little food they had, giving up portions of turnip and potato, bundling her mother’s frail body in shawls and seating her on the porch in the hope that the fresh air might return some appetite to her. The only thing she seemed to crave were little cakes made by the widow Karina Stoyanova, scented with orange blossom and thick with icing. Where Karina got the sugar, no one knew—though the old women had their theories, most of which involved a rich and lonely tradesman from the river cities. But eventually, even Karina’s supplies dwindled, and when the little cakes were gone Nadya’s mother would touch neither food nor drink, not even the smallest sip of tea.
Nadya’s mother died on the first real day of winter, when the last bit of autumn fled from the air, and any hope of a mild year went with it. But the poor woman’s death went largely unremarked upon, because two days before she finally breathed her last ghostly sigh, another girl went missing.
Her name was Lara Deniken, a shy girl with a nervous laugh, the type to stand at the edges of village dances watching the fun. All they found of her was a single leather shoe, its heel thick with crusted blood. She was the second girl lost in as many months, after Shura Yeshevsky went out to hang the wash on the line and never came back in, leaving nothing but a pile of clothespins and sodden sheets lying in the mud.
Real fear came upon the town. In the past, girls had vanished every few years. True, there were rumors of girls being taken from other villages from time to time, but those children hardly seemed real. Now, as the famine deepened and the people of Duva went without, it was as if whatever waited in the woods had grown greedier and more desperate, too.
Lara. Shura. All those who had gone before: Betya. Ludmilla. Raiza. Nikolena. Other names now forgotten. In those days, they were whispered like an incantation. Parents sent up prayers to their Saints, girls walked in pairs, people watched their neighbors with suspicious eyes. On the edge of the woods, the townspeople built crooked altars—careful stacks of painted icons, burnt-down prayer candles, little piles of flowers and beads.
Men grumbled about bears and wolves. They organized hunting parties, talked about burning sections of the forest. Poor simple-minded Uri Pankin was nearly stoned to death when he was found in possession of one
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