The Ten Thousand by Michael Curtis Ford

reluctantly it seemed, continued his stroll with me through the streets.
    We trudged along Delphi's steeply inclined flagstones for an hour without a word passing between us. I stopped at a stall, eager to purchase a memento of our visit, for who could know when, or if, I might return. I selected a small, antique brass figurine of Apollo, sword in hand, holding by the hair the head of a man with a vaguely Persian countenance, his beard long and pointed. The shopkeeper was unable to tell me to which event it referred, but I purchased it anyway, as it seemed like a good omen, and besides, it had caught my fancy. Though tiny, the faces and expressions were of a realism that made one think that the original castings had been modeled on individuals known to the sculptor, and the god's stance and posture suggested utter fearlessness, trust in the strength of his body, and confidence on the sculptor's part to depict such a scene with seemingly no reference to any actual story of Apollo. What might the world have been like, I wondered, when men were as certain of themselves as that? Xenophon ignored the colorful shops, the stalls being set up in the street for the coming market, the frankly appraising gazes of the local girls eyeing the handsome stranger walking obliviously among them, even the magnificent vistas of the rocky mountains and temples that sprang to our sight around every corner. I finally broke the silence.
    "Xenophon, I don't mean to belabor this, but you could have your pick of a thousand young virgins from good families in Athens. I just can't understand seeing you bedazzled by this roadside trollop Aglaia."
    He stopped in the middle of the street and stared at me. I feared I had again spoken too bluntly, and I braced myself for his violent reaction. After a pause, however, during which I could almost see his mind working furiously in response to my complaint, he burst into a loud laugh and clapped me on the back. The men around us looked up briefly from their tasks at the sudden sound.
    "Poor Theo, is that what you think has been weighing on my mind this whole time? Aglaia? Go to her inn tonight yourself, if you like, she's clearly looking for a quick roll before she marries her town's rich man, who probably has three obols to his name compared to his rivals' two." He winked at me, and I cringed in distaste.
    "You're right, though," he continued. "I was thinking of Aglaia, but not the way you expect. I was just considering how satisfied she was at having asked the oracle her precise, narrow question, and at receiving the answer most useful to her. There are hundreds of stories of men blinded by their pride and ambition, asking an open-ended question of the oracle and receiving an open-ended answer. They ignore the ambiguity, and hear only what they wish to hear, taking the wrong course of action and suffering for it. Is Aglaia wiser than those old kings, in not trying to tempt or confuse the god, and in seeking only an answer she is capable of obeying?"
    Xenophon resumed his stroll, but now he was agitated, his mind working faster than he was able to speak, a troubled expression on his face. "I can't understand why Socrates didn't advise me on this before we left," he went on. "I see the wisdom of Aglaia's solution, and the satisfaction she feels at the answer she received, which is actually the answer she would have wanted all along. But if you narrow your question as she did—restricting the range of the god's answers, which you could take so far as to eliminate the god's every choice but the one answer you wish to receive—are you not still trying to deceive the god, and thereby deceiving yourself? And if you are deceiving the god—well then, does the god know that? I mean, do the gods really see into our hearts and minds? Can they read our souls? Do they even care to, or is it enough that from their heights on Olympus they see only our physical actions, the outward evidence of our thoughts?"
    He continued