The suns of Scorpio
Zenkiren’s concern had been for Lilac Bird ’s disturbing lack of speed. Only my intervention with the consequent interruption in the pulling of the fortyswifter had given him the chance to overhaul her, and then the Sanurkazzan galley had reached up so swiftly there had been no need to use the ballistae mounted in her bows.
    The ballista used on the ships of the Eye of the World was called a varter, and it was a true ballista, in that its propulsive energy came from two half-bows whose butts were clamped in perpendicular thongs twisted many times. The cord was drawn by a simple windlass. The varter could be adapted to shoot arrows, or bolts, large iron-tipped monstrous balks of timber, or to hurl stones. It could achieve a considerable degree of accuracy.
    Every sixth day on ships of Sanurkazz the religious observances connected with Zair were solemnly undertaken with due rites and prayers. Religion, I had thought, was the sop for the masses, along with bloodthirsty broadsheets detailing the latest murders and hangings, cockfights, prizefights, and the occasional tankard of ale at the local alehouse. Religion kept the masses in order. These men of Sanurkazz, however, well though I might mock them in the privacy of my own thoughts, were very splendid in their best clothes, the ship-priest in his vestments, the silver and gold vessels, the blazing embroidery of the banners and flags, the shrilling notes of the silver and ebony trumpets, all conspiring to seduce any solid man into an euphoric haze of belief.
    Naturally, the day on which the rites of Zair were performed was not the same day as that on which Grodno was similarly honored.
    I say similarly; I had seen the religious services of the men of Magdag, and they were different in a way that, looking back, I can see was no different at all. Then, I considered them depraved and evil. It seems obvious that there was only one color which the men of Magdag could paint the hulls of their swifters. The ancient pirates of Greece, who roamed the Aegean, used to paint their hulls green. The men of Sanurkazz had struck a compromise. Green was of some use as a camouflage color; not much, a little. Red would have been some degrees more visible, so the galleys of the men of Zair of the southern shore of the inner sea were painted blue.
    They carried three sets of sails in more or less regular use: white for daytime cruising, black for night sailing, and blue for raiding.
    On this voyage back to Holy Sanurkazz, a voyage which was something in the nature of a victory triumph, we wore white sails.
    Magdag stood upon the northern shore of the inner sea over to the western end; her power and law ran for many dwaburs toward the east until it tended to diminish a little as cities with their own marine wished to flex their own muscles of independence. All, however, were in some way tributary to Magdag, and all, naturally, were partisans of the green.
    Holy Sanurkazz stood upon the southern shore of the inner sea over toward the eastern end, at the narrow neck of one of the dependent seas that extended southward. Her hegemony stretched in somewhat different ways from her opponent’s toward the west, where cities flourished which grew steadily weaker and less assured the farther west they had been sited. All, however, owed a single burning allegiance to the red.
    It seemed clear that the strategy dominating the inner sea would be that of raiding to keep the opponent occupied, and a series of direct and violent blows against the chief hostile city. With either Magdag or Sanurkazz reduced, the other cities of the losing side would, like children deprived of parents, quickly succumb. This was a strategy that had not found favor with either the men of Magdag or Sanurkazz. The answer was obvious enough and human enough not to surprise me. Booty was for the taking upon the seas, and to strike against a smaller city was infinitely safer than any direct assault against the master citadel.
    Stretching

Similar Books

Public Secrets

Nora Roberts

Thieftaker

D. B. Jackson

Fatal Care

Leonard Goldberg

See Charlie Run

Brian Freemantle