The Risk of Darkness
windows?”
    “Security locks. Yes.”
    “Are they locked?”
    “Yes.”
    “I’d like to have the tea now please. And something to eat. You promised that.”
    “OK, Max, but please, this isn’t going to achieve anything, it …”
    He stood silently, waiting. She went ahead of him into the kitchen. Max followed, shut the door and put a chair up against it. He sat on the chair. She remembered what had happened to her mother, how they had taken everything and then beaten her about the head. She looked at Max Jameson. No, it wasn’t like that. This was about something else.
    “I need to tell you something.” She heard her own voice, hoarse as if she had an obstruction in her throat. The obstruction was fear. “I had to go to London urgently … I had a call from my mother … she’s a child psychiatrist, she lives on her own. When I got there, I found the house turned upside down, a lot of things taken … and my mother on the floor in her own blood. She’d surprised them. They thought the house was empty. It was very, very frightening. I … I can’t get it out of my head. Now you. It’s—”
    “I’m not a burglar. There’s nothing here I want.”
    “I don’t understand what you do want.”
    “Answers.”
    “I have no easy ones, Max.”
    “Miracles.”
    “If I could bring Lizzie back to you I would … I can’t. It doesn’t work like that. God doesn’t. It’s complicated.”
    She wondered what she was saying. She had always felt that, on the contrary, everything was notcomplicated but simple. Not easy, never, but gloriously simple. Now, she knew nothing. Her mind was a jumble.
    Say nothing. Say nothing. Just do.
    Yes.
    She lit the gas, set the kettle on, opened a cupboard to take out the china, the fridge for milk. Think nothing. Say nothing. Just do.
    Max sat in silence, hunched down into the wooden chair, watching her.
    A strange sense of calm came over her and a sense of unreality, as if she were sleepwalking, but untouchable, unreachable. She cut bread, sliced tomatoes and cheese, found a fruit cake left for her by someone the day she had moved in. The kettle boiled.
    When he had eaten and drunk the tea, he would come to, Jane thought, realise where he was, and then things would fall back into place. She would drive him home and make sure he was safe. It was like looking after a child.
    “Please come and eat,” she said.
    She waited for him to do so. Waited for everything to shift back again to normal. Waited.
    Watched. Max watched.
    She was like Lizzie. Her hands, cutting the bread, gripping the handle of the kettle. Her eyes. Lizzie.
    He knew that she was not Lizzie but he was too exhausted to sort out the confusion that seemed to sway him now one way, then the other, Lizzie, not Lizzie, Lizzie alive, Lizzie dead. Lizzie/Jane, Jane/Lizzie.
    He looked around every few moments and wondered why he was in this unfamiliar house, rooms smaller than the one he knew, darker, with more objects, books, furniture and strange pictures. Then he remembered. His mind cleared and it felt as if he had been rinsed through with ice-cold water and his purpose was firm-edged and obvious.
    But he felt so tired he wanted to lie on the floor and sleep. Sleep for ever. He could not be with Lizzie any other way. Then he saw her, as he had seen her the last time, her eyes wide and blank, her expression inscrutable, vanishing away from him as he looked down into some other, dark, empty, silent world.
    When Nina had died, he had not been there. She had been in hospital, hidden under masks and tubes, attached to machines, yellow and thin and ugly, a hundred years old, the pain dragging her life and looks from her. He had been asleep, unable to remain by the bed to watch, terrified of the moment of her death. By the time he had gone to see her, she had become someone else, waxen and still, in a chapel that smelled odd, of sickly artificial flowers, masking the antiseptic of hospital death.
    He had not expected to have to

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