The Music School

The Music School by John Updike

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Authors: John Updike
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over me which I cannot, writhe as I will, break. End parenthesis).
    An especially, almost maliciously, prolonged roll of the boat just slid the ink bottle, unspilled, the width of my cubbyhole and gave me the choice of fixing my eyes on the horizon or beginning to be seasick.
    Where was I?
    For me it was wonderful to become a partner in your response to textures. Your shallowness, as my wife calls it—and, as with everything she says, there is something in it which, at the least, gives dismissal pause—broke a new dimension into my hitherto inadequately superficial world. Now, adrift in this luxurious island universe, where music plays like a constant headache, I see everything through your eyes, conduct circular conversations with you in my head, and rest my hand on the wiped mahogany of the bar as if the tremor beneath the surface is you, a mermaid rising. What are our conversations about? I make, my mind tediously sifting the rubble of the emotional landslide, small discoveries about us that I hasten to convey to you, who are never quite as impressed by them as I hoped you would be. Yesterday, for example, at about 3:30 p.m., when the sallow sun suddenly ceased to justify sitting in a deck chair, I discovered, in the act of folding the blanket, that I had never, in my heart, taken your sufferings as seriously as my own. That you were unhappy, I knew. I could diagram the mechanics of the bind you were in, could trace the vivacious contours and taste the bright, flat colors of your plight—indeed, I could picture your torment so clearly that I felt I was feeling it with you. But no, there was a finalkind of credence that I denied your pain, which cheated it of dimension and weight. You were the object of my desire and as such
la belle dame sans merci
. And so, reciprocally, I showed you no mercy. For this I belatedly apologized. In my head you accepted the apology with a laugh, and then wished to go on and discuss the practical aspects of our elopement. Two hours later, pinning a quivering daiquiri to the bar with my fingers, I rather jerkily formulated this comforting thought: However else I failed you, I never pretended to feel other than love for you, I never in any way offered to restrict, or control, the love you felt for me. Whatever sacrifices you offered to make, whatever agony you volunteered to undergo for me, I permitted. In the limitless extent of my willingness to accept your love, I was the perfect lover. Another man, seeing you flail and lacerate yourself so cruelly, might have out of timid squeamishness (calling it pity) pretended to turn his back, and saved your skin at the price of your dignity. But I, whether merely hypnotized or actually suicidal, steadfastly kept my face turned toward the blaze between us, while my eyes watered, my nose peeled, and my eyebrows disappeared in twin whiffs of smoke. It took all the peculiar strength of my egotism not to flinch and flaw the purity of your generous fury. No? For several hours I discussed this with you, or, rather, vented exhaustive rewordings upon your silent phantom, whose comprehension effortlessly widened, in watery rings, to include every elaboration.
    Then, at last weary, brushing my teeth while the shower curtains moved back and forth beside me like two sluggish, rustling pendulums, I received, as if it were a revelation absolutely gravitational in importance, the syllogism that (major premise), however much we have suffered because of each other, it is quite out of the question for me to blame you formy pain, though strictly speaking you were the cause; and, since (minor premise) you and I as lovers were mirrors and always felt the same, therefore (conclusion) this must also be the case with you.
Ergo
, my mind is at peace. That is, it is a paradoxical ethical situation to be repeatedly wounded by someone
because he or she is beloved
. Those small incidentals within my adoration, those crumbs of Mark’s influence that I could never digest, those

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