AUTHOR'S NOTE
The Dark Tower books begin with Roland of Gilead, the last gunslinger in an exhausted world that has 'moved on', pursuing a magician in a black robe. Roland has been chasing Walter for a very long time. In the first book of the cycle, he finally catches up. This story, however, takes place while Roland is still casting about for Walter's trail. A knowledge of the books is therefore not necessary for you to understand - and hopefully enjoy -the story which follows.
***
I. Full Earth. The Empty Town. The Bells. The Dead Boy. The Overturned Wagon. The Green Folk.
On a day in Full Earth so hot that it seemed to suck the breath from his chest before his body could use it, Roland of Gilead came to the gates of a village in the Desatoya Mountains. He was travelling alone by then, and would soon be travelling afoot, as well. This whole last week he had been hoping for a horse-doctor, but guessed such a fellow would do him no good now, even if this town had one. His mount, a two-year-old roan, was pretty well done for.
The town gates, still decorated with flowers from some festival or other, stood open and welcoming, but the silence beyond them was all wrong. The gunslinger heard no clip-clop of horses, no rumble of wagon-wheels, no merchants' huckstering cries from the marketplace. The only sounds were the low hum of crickets (some sort of bug, at any rate; they were a bit more tuneful than crickets, at that), a queer wooden knocking sound, and the faint, dreamy tinkle of small bells.
Also, the flowers twined through the wrought-iron staves of the ornamental gate were long dead.
Between his knees, Topsy gave two great, hollow sneezes - K'chow! K'chow! - and staggered sideways. Roland dismounted, partly out of respect for the horse, partly out of respect for himself - he didn't want to break a leg under Topsy if Topsy chose this moment to give up and canter into the clearing at the end of his path.
The gunslinger stood in his dusty boots and faded jeans under the beating sun, stroking the roan's matted neck, pausing every now and then to yank his fingers through the tangles of Topsy's mane, and stopping once to shoo off the tiny flies clustering at the corners of Topsy's eyes. Let them lay their eggs and hatch their maggots there after Topsy was dead, but not before.
Roland thus honoured his horse as best he could, listening to those distant, dreamy bells and the strange wooden tocking sound as he did. After a while he ceased his absent grooming and looked thoughtfully at the open gate.
The cross above its centre was a bit unusual, but otherwise the gate was a typical example of its type, a western commonplace which was not useful but traditional - all the little towns he had come to in the last tenmonth seemed to have one such where you came in (grand) and one more such where you went out (not so grand). None had been built to exclude visitors, certainly not this one. It stood between two walls of pink adobe that ran into the scree for a distance of about twenty feet on either side of the road and then simply stopped. Close the gate, lock it with many locks, and all that meant was a short walk around one bit of adobe wall or the other.
Beyond the gate, Roland could see what looked in most respects like a perfectly ordinary High Street - an inn, two saloons (one of which was called The Bustling Pig; the sign over the other was too faded to read), a mercantile, a smithy, a Gathering Hall. There was also a small but rather lovely wooden building with a modest bell-tower on top, a sturdy fieldstone foundation on bottom, and a gold-painted cross on its double doors. The cross, like the one over the gate, marked this as a worshipping place for those who held to the Jesus-man. This wasn't a common religion in Mid-World, but far from unknown; that same thing could have been said about most forms of worship in those days, including the worship of Baal, Asmodeus, and a hundred others. Faith, like everything else in
Michele Mannon
Jason Luke, Jade West
Harmony Raines
Niko Perren
Lisa Harris
Cassandra Gannon
SO
Kathleen Ernst
Laura Del
Collin Wilcox