you?"
There were so many things she wanted to tell him at that moment, but time left room for none. The bell was getting louder in her head. Someone had looped their entrails around her neck, and was pulling the knot tight.
"It's too late..." she murmured to Rory, and pressed his hand away.
"What do you mean?" he said to her, as she covered the yards to the door. "Don't go, Kirsty. Not yet. Tell me what you mean."
She couldn't help but offer him a backward glance, hoping that he would find in her face all the regrets she felt.
"It's all right," he said sweetly, still hoping to heal her. "Really it is." He opened his arms. "Come to
Daddy, " he said.
The phrase didn't sound right out of Rory's mouth. Some boys never grew to be daddies, however many children they sired.
Kirsty put out a hand to the wall to steady herself.
It wasn't Rory who was speaking to her. It was Frank. Somehow, it was Frank-
She held on to the thought through the mounting din of bells, so loud now that her skull seemed ready to crack open. Rory was still smiling at her, arms extended. He was talking too, but she could no longer hear what he said. The tender flesh of his face shaped the words, but the bells drowned them out. She was thankful for the fact; it made it easier to defy the evidence of her eyes.
"I know who you are..." she said suddenly, not certain of whether her words were audible or not, but unquenchably sure that they were true. Rory's corpse was upstairs, left to lie in Frank's shunned bandaging. The usurped skin was now wed to his brother's body, the marriage sealed with the letting of blood. Yes! That was it.
The coils around her throat were tightening; it could only be moments before they dragged her off. In desperation, she started back along the hallway toward the thing in Rory's face.
"It's you-" she said.
The face smiled at her, undismayed.
She reached out, and snatched at him. Startled, he took a step backward to avoid her touch, moving with graceful sloth, but somehow still managing to avoid her touch. The bells were intolerable; they were pulping her thoughts, tolling her brain tissue to dust. At the rim of her sanity, she reached again for him, and this time he did not quite avoid her. Her nails raked the flesh of his cheek, and the skin, so recently grafted, slid away like silk. The blood-buttered meat beneath came into horrid view.
Behind her, Julia screamed.
And suddenly the bells weren't in Kirsty's head any longer. They were in the house, in the world.
The hallway lights burned dazzlingly bright, and then-their filaments overloading-went out. There was a short period of total darkness, during which time she heard a whimpering that may or may not have come from her own lips. Then it was as if fireworks were spluttering into life in the walls and floor. The hallway danced. One moment an abattoir (the walls running scarlet); the next, a boudoir (powder blue, canary yellow); the moment following that, a ghost-train tunnel-all speed and sudden fire.
By one flaring light she saw Frank moving toward her, Rory's discarded face hanging from his jaw. She avoided his outstretched arm and ducked through into the front room. The hold on her throat had relaxed, she realized: the Cenobites had apparently seen the error of their ways. Soon they would intervene, surely, and bring an end to this farce of mistaken identities. She would not wait to see Frank claimed as she'd thought of doing; she'd had enough. Instead she'd flee the house by the back door and leave them to it.
Her optimism was short-lived. The fireworks in the hall threw some light ahead of her into the dining room, enough to see that it was already bewitched. There was something moving over the floor, like ash
before wind, and chains cavorting in the air. Innocent she might be, but the forces loose here were indifferent to such trivialities; she sensed that to take another step would invite atrocities.
Her hesitation put her back within Frank's reach, but
There were so many things she wanted to tell him at that moment, but time left room for none. The bell was getting louder in her head. Someone had looped their entrails around her neck, and was pulling the knot tight.
"It's too late..." she murmured to Rory, and pressed his hand away.
"What do you mean?" he said to her, as she covered the yards to the door. "Don't go, Kirsty. Not yet. Tell me what you mean."
She couldn't help but offer him a backward glance, hoping that he would find in her face all the regrets she felt.
"It's all right," he said sweetly, still hoping to heal her. "Really it is." He opened his arms. "Come to
Daddy, " he said.
The phrase didn't sound right out of Rory's mouth. Some boys never grew to be daddies, however many children they sired.
Kirsty put out a hand to the wall to steady herself.
It wasn't Rory who was speaking to her. It was Frank. Somehow, it was Frank-
She held on to the thought through the mounting din of bells, so loud now that her skull seemed ready to crack open. Rory was still smiling at her, arms extended. He was talking too, but she could no longer hear what he said. The tender flesh of his face shaped the words, but the bells drowned them out. She was thankful for the fact; it made it easier to defy the evidence of her eyes.
"I know who you are..." she said suddenly, not certain of whether her words were audible or not, but unquenchably sure that they were true. Rory's corpse was upstairs, left to lie in Frank's shunned bandaging. The usurped skin was now wed to his brother's body, the marriage sealed with the letting of blood. Yes! That was it.
The coils around her throat were tightening; it could only be moments before they dragged her off. In desperation, she started back along the hallway toward the thing in Rory's face.
"It's you-" she said.
The face smiled at her, undismayed.
She reached out, and snatched at him. Startled, he took a step backward to avoid her touch, moving with graceful sloth, but somehow still managing to avoid her touch. The bells were intolerable; they were pulping her thoughts, tolling her brain tissue to dust. At the rim of her sanity, she reached again for him, and this time he did not quite avoid her. Her nails raked the flesh of his cheek, and the skin, so recently grafted, slid away like silk. The blood-buttered meat beneath came into horrid view.
Behind her, Julia screamed.
And suddenly the bells weren't in Kirsty's head any longer. They were in the house, in the world.
The hallway lights burned dazzlingly bright, and then-their filaments overloading-went out. There was a short period of total darkness, during which time she heard a whimpering that may or may not have come from her own lips. Then it was as if fireworks were spluttering into life in the walls and floor. The hallway danced. One moment an abattoir (the walls running scarlet); the next, a boudoir (powder blue, canary yellow); the moment following that, a ghost-train tunnel-all speed and sudden fire.
By one flaring light she saw Frank moving toward her, Rory's discarded face hanging from his jaw. She avoided his outstretched arm and ducked through into the front room. The hold on her throat had relaxed, she realized: the Cenobites had apparently seen the error of their ways. Soon they would intervene, surely, and bring an end to this farce of mistaken identities. She would not wait to see Frank claimed as she'd thought of doing; she'd had enough. Instead she'd flee the house by the back door and leave them to it.
Her optimism was short-lived. The fireworks in the hall threw some light ahead of her into the dining room, enough to see that it was already bewitched. There was something moving over the floor, like ash
before wind, and chains cavorting in the air. Innocent she might be, but the forces loose here were indifferent to such trivialities; she sensed that to take another step would invite atrocities.
Her hesitation put her back within Frank's reach, but
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