them erupted, and it took Allen Shire several minutes of clawing at branches and spitting leaves from his mouth to realize that he hadn’t been shot at, that the horse had just lost its fucking marbles on him. It was bearing down on him, hooves flying up, trailing mud clumps, piano key–teeth bared, lips sputtering, flaring nostrils washing Shire in damp heat.
If something had frightened the damn thing, it had responded by bearing down on Shire with sudden, wild fury. And in a terrible instant, he realized he’d tumbled backward through slick palmetto leaves and into the house’s backyard. The horse exploded through the brush after him. He tried to feign left and the monster mirrored him, still kicking and bucking like something from hell’s rodeo.
Knees bent, arms at his side, Shire found himself taking long backward steps across the yard. Then his feet slid out from under him and he landed ass-first in a patch of mud that smeared his hands. Even though it would have been the perfect moment to do so, the horse didn’t trample him. It closed the distance, then started pacing back and forth— horses can pace? Shire thought wildly—in case the man tried to run in either direction.
It’s corralling me. Son of a bitch, the damn horse is corralling me!
His right heel hit something hard, and then his ass landed on the house’s back steps with a hard thump, like a little boy who’d been cast into the nearest empty chair by the hand of an angry father.
The horse whined, an awful, piercing sound he didn’t know a horse was capable of making. Then the creature’s hind legs bent at the knees, and bile rose in Shire’s throat as he realized the monster was about to lunge at him.
Then the horse’s head exploded.
The animal’s skull seemed to give way down the center, as if an invisible sledgehammer had struck it in just the right spot. The jawbone slipped free from the collapsing skull in a single piece. After it came the brain matter, a slick, corded tumble the color of mud laced withred wine. And even as it all hit the earth with wet smacking sounds, the horse remained standing, and Shire realized that explosion wasn’t the right word for what he was witnessing. It was as if some congenital weakness inside the animal’s skull had picked that exact moment to trigger a total collapse. And as the seconds passed, as the horse remained standing, it looked as if the animal had just offered up its brain matter to Shire as a welcome present.
Then the animal keeled over and landed on one side so hard its legs bounced, and Shire was left with his own desperate gasps, the same sounds his pal Bobby Hurwitz had made after they all hurled him into the shallow end of the Audubon Park pool when they were kids and he’d been hauled to the surface, goggle-eyed and wheezing, too stunned to gasp for a complete breath. That’s what Allen Shire sounded like right now; a little boy who had been slammed into a wall of unforgiving concrete.
Then he took in the sight of the rest of the yard. It was not a patch of mud he had fallen into a few seconds earlier. He had, in essence, separated the remains of a deer’s head even further from its lifeless body and the stains all over his pants and arms were too red to be pure mud. The yard was littered with them, animal carcasses; skunks, possums, a few bobcats and snakes, plenty of goddamn snakes, and all of them had suffered the same fate as the horse from hell; their heads had been reduced to molten-looking piles of snapped bones and dung-colored brain matter. He’d been too busy trying to get a peek through the house’s windows to realize he was shooting pictures over a grotesque, open-air slaughterhouse.
Invisible hammer. Invisible hammer. These were the two words he couldn’t get out of his head; he thought if he kept thinking them over and over again they would bring him to a logical, earthbound explanation for what he was witnessing. No, it’s not an invisible hammer that did in
Laline Paull
Julia Gabriel
Janet Evanovich
William Topek
Zephyr Indigo
Cornell Woolrich
K.M. Golland
Ann Hite
Christine Flynn
Peter Laurent