The Creation of Anne Boleyn by Susan Bordo

on, [>]
Henry’s infatuation with, [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>]
Henry’s motivations for executing, [>]–[>], [>]–[>], [>], [>]–[>]
Hirst on, [>]–[>], [>]
hopes for clemency, [>]–[>]
idealization of, [>], [>], [>]–[>]
as inspiration to young women, [>]–[>], [>]–[>]
interest in humanism, [>], [>]–[>], [>]
as interfering, [>], [>]
Jane and conspiracy to replace, [>]–[>], [>]
last letter to Henry, [>]–[>], [>]
as liberated woman, [>]
Loades on, [>]–[>], [>], [>]
as manipulated by family, [>]–[>], [>]
Mary refuses to acknowledge, [>], [>]
Mary’s hatred of, [>]–[>]
modern popular reactions to, [>]–[>]
More’s relationship with, [>]
in opera, [>], [>]
opposes Cromwell, [>]–[>]
paintings of, [>], [>]–[>], [>], [>], [>]
personal library of, [>], [>]–[>]
personal style, [>], [>]–[>]
as politically active, [>]–[>]
in popular memory, [>]–[>], [>]
portrayed as “human,” [>]–[>]
postwar interpretations of, [>]–[>]
as predatory, [>], [>], [>], [>], [>], [>]–[>]
pregnancies & miscarriages, [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]
pregnant with Elizabeth, [>]–[>]
preparations for death, [>]–[>], [>], [>]
Princess Diana on, [>]–[>]
public reaction to her execution, [>], [>]
as queen, [>]–[>], [>]
rehabilitation of her reputation, [>]–[>], [>]–[>], [>], [>]
as religious martyr, [>]–[>], [>], [>]
and religious reform, [>]–[>], [>], [>], [>], [>]
reputation in Spain, [>]–[>], [>]
role in English Reformation, [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]
Sander’s hostile portrait of, [>]–[>], [>], [>]
Sanuto on, [>], [>], [>]–[>], [>]–[>]
sexual relationship with Henry, [>]–[>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>]
as sexually aggressive, [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]
Singer on, [>], [>]
stage portrayals of, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]
suspected of witchcraft, [>]–[>], [>], [>]
as teenager, [>]–[>]
Thomas Wyatt’s relationship with, [>], [>]–[>], [>]–[>]
treatment of Mary & Elizabeth, [>]–[>], [>], [>]
unfounded speculation about, [>]–[>]
Victorian attitudes toward, [>]–[>]
Warnicke on, [>], [>], [>]
and Wolsey, [>]–[>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]
youth & education, [>]–[>], [>]–[>], [>], [>]–[>], [>]
    Boleyn, George: arrest & trial, [>], [>], [>], [>]
executed, [>], [>], [>]
    Boleyn, Mary, [>], [>]
fictional treatments of, [>]–[>], [>]–[>], [>]–[>]
Gregory on, [>]–[>]
Henry’s affair with, [>]–[>], [>]–[>], [>], [>], [>], [>], [>]
    Boleyn, Thomas, [>]–[>]
    Bolt, Robert, [>], [>]
    Bonham Carter, Helena, [>]
    Book of Beauty, or Regal Gallery (Countess of Blessington), [>]
    Book of Martyrs (Foxe), [>], [>]–[>], [>], [>], [>]
    Book of the City of Ladies, The (Pizan), [>], [>]
    Book of the Courtier, The (Castiglione), [>], [>]–[>], [>]
    Booth, Sue, [>]
    Borman, Tracy: Elizabeth’s Women, [>]–[>], [>]–[>]
on The Tudors, [>]–[>]
    Bourdeilles Brantôme, Pierre de, [>]
    Bradley, Mary Hastings, [>]
The Favor of Kings, [>]–[>]
literary goals, [>]
    Brandon, Charles, [>], [>], [>]
    Breakfast at Tiffany’s (film), [>]
    Brenton, Howard: Anne Boleyn, [>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>]
on Henry’s character, [>]
    Brereton, William: arrest & trial, [>], [>]
executed, [>], [>]
    Briçonnet, Guillaume (bishop), [>]
    Brief Gaudy Hour (Barnes), [>]–[>], [>]
    Bring Up the Bodies (Mantel), [>], [>], [>]
    Browne, Sir Anthony, [>]
    Bryson, Sarah, [>]
    Bujold, Geneviève, [>], [>], [>]
background, [>], [>]–[>]
dramatic interpretation of Anne, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>]
    Burnett, Gilbert, [>]
    Burton, Richard, [>]–[>], [>]
    Bush, Mrs. Forbes: Memoirs of the Queens of France, [>]
     
    Calderón de la Barca, Pedro: The Schism in England, [>]
    Callcott, Maria: Little Arthur’s England, [>]
    Camelot (play),