household in Iran. PMC features nothing but Iranian pop music videos from Los Angeles, and the young woman pulled her chador tight across her cheeks as she watched other young Iranian men and women, sans chadors or scarves, sexily cavorting across the Southern California desert in a vintage American convertible.
No one but me in this house seemed terribly interested in the nuclear crisis with the West that was all the news in Europe and back home in the States, and had been a major topic of conversation in middle-class Tehran homes since I had arrived a few days before President Ahmadinejad’s inauguration in 2005. Iran had just angrily rejected a European proposal to end the nuclear stalemate and was heading rapidly toward a major confrontation over its plans to restart the uranium fuel cycle, something the United States claimed would lead to nuclear-armed Ayatollahs, perhaps as frightening an image as can be planted, post-9/11, in the minds of ordinary Americans. Ahmadinejad’s new hard-line government, perhaps picking up on a cue from President Bush’s own lexicon, seemed to be saying, in so many words, “Bring it on” to the entire world. But in this household, there was little concern with the possibility of armed conflict. A middle-class family, religious but educated and wise to the ways of the world, if only through their television screen, they were far more concerned with the more mundane aspects of life, even though they stubbornly continued to live in a house that should have long ago given way to a modern apartment building, with perhaps a nice penthouse for them, the owners of the land underneath.
A noise from the yard signaled the arrival of other guests; an older man and his toothless young companion carrying a heavily crumpled plastic bag pushed aside the sheet and entered the room. Grateful that I wasn’t to be the sole source of amusement, I stood up as introductions were made and as the young daughter quickly fled to the safety of other rooms where strange, meaning nonfamilial, men are not allowed. The men shuffled in, the younger one saying his hellos and nodding while the older man gestured, apologizing for the lack of vocal cords, I understood. Although they had been removed recently in an operation, our host told me, the man seemed quite nonchalant about it and even accepted a cigarette proffered by his companion. He sat down on the carpet, lit his cigarette, and began to prepare for what I knew was to be the afternoon activity and part of the reason for the lifestyle of the family: smoking
shir’e
.
Shir’e is made from the charred remnants of previously smoked opium and is the preferred method of drug taking among the hardest of hard-core opium addicts in Iran, who number in the hundreds of thousands. Boiling the burned opium in water, removing the scum, and then straining the gooey residue results in an opiate perhaps tens of times more potent than fresh, raw opium, itself by far the most popular drug in Iran. Always plentiful and almost a part of Iran’s heritage (and widely used in the courts of previous dynasties), opium under the fanatically pro-Western and anti-traditionalist Shah was mainly used by provincial Iranians, the lower classes, and a handful of the landed gentry who stubbornly clung to the past and the seductive habit inherited from their forefathers. The modernism the Shah promoted in the 1960s and ’70s (along with a huge increase in tourist and student travel to Europe and the United States) meant that among the young at least, Western, and therefore cool, drugs such as marijuana and cocaine replaced the backward, and now plebeian, domestic high. In my maternal grandfather’s house in the 1960s, as traditional a household as there could be in Tehran, I had witnessed my great-grandmother, well over ninety years old, eating, yes,
eating
, her daily dose of opium. Her dementia, quite advanced as far as I was concerned since she never seemed to recognize me, not even a
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