husband.’
Claire looked at him askance. ‘Are you serious?’
Heck shrugged. ‘He reads about the first homicide in the papers, and he thinks it’s so wild and whacky that it can only be a matter of time before a lunatic capable of doing that will strike again. So he decides here’s his chance to knock off his nagging missus and make it look like someone else. Of course, he doesn’t realise that the first killing is down to organised crime … which illustrates the advantage we gain from only telling the press as much as we have to.’
‘But how can you be sure this is domestic?’
‘I’m not absolutely sure. But my advice to the Murder Squad in Kent will be to look a bit closer to home first, and the other facts support this. This woman was murdered in her own bathtub early evening – to be specific between seven-thirty and eight-fifteen. The timing of that incident alone would make it unusual for a home-invasion by a stranger. In addition, the window of opportunity is too small. The husband, who found her, would have us believe that he’d driven off to the local golf club to pay his annual subs. He’d also have us believe that in this brief time, some headcase happened to walk up to an ordinary suburban home, ascertained that the female occupant was alone, forced entry, did the dirty deed, painted a clown face on her, and then vanished without anyone seeing or hearing a thing.’
‘It seems unlikely, but
could
that be what happened?’
‘We don’t close the door on any possibility – the perp may have scoped the house out beforehand and lain in wait. But the husband didn’t leave the premises as part of a regular routine. So that makes it improbable. On top of all that, the first victim was a male in his late twenties, the second a female in her early forties. There was no sexual assault in either case. Okay, it could be some complete madman who just gets off on drawing clown faces. But that’s not the sort of guy you’d expect to have kept his light under a bushel up till now.’
‘So … what happens next?’
Heck sat back. ‘I send it to Gemma with my report. I don’t recommend that we get involved because I don’t see any need. Our main responsibility is to identify patterns, series and clusters that may indicate a repeat-offender, and then respond accordingly.’
‘What if Gemma disagrees with you on this?’
‘If she disagrees, some of us – almost certainly me, as I copped for the job in the first place – will be off to Kent, which would be great because that’d take me out of the office. But I can tell you now she won’t. Most likely she’ll just send our official observations.’
Claire glanced further along the desk. There was another pile of similar folders awaiting his attention. Other desks in the room were equally weighed down. ‘Are all these files the same kind of thing?’
‘We get copied in on a lot of stuff,’ Heck said. ‘But most of it is what we call “slush”.’
‘Slush?’
‘Not relevant to our remit. Various types of crimes are automatically sent for our assessment. All stranger-murders of children, for example. All murders of prostitutes. All murders of runaways. All murders committed during burglary or rape. All murders involving exceptional violence, sadism or depravity. All murders where there are ritual or theatrical elements. All murders where there’s evidence of bizarre post-death behaviour – mutilation, dismemberment, necrophilia. All murders where the perpetrator has apparently tried to contact the police or press … left clues, cryptic messages, that kind of thing. All murders which may not satisfy any of these criteria but where there is reasonable suspicion that it’s part of a series. And basically any murder at all that we request to look at. No police force in England and Wales has the right to refuse us.’
Claire glanced around the room again. In another corner, two more crime scene blow-ups were mounted on a noticeboard
C. J. Cherryh
Learning to Kill: Stories
John O'Riley
Brenda Sinclair
Christopher George
Stephen Lloyd Jones
Karl Iagnemma
Celya Bowers
Jill Gregory
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