Rabbit is rich
collects more in taxes without raising the rates. Who doesn't benefit? The man with money in his pocket, the man who's paid his bills. That's why" - Buddy's voice drops to a conspiratorial hiss - "that man is vanishing like the red Indian. Why should I work," he asks Webb, "when the money is taken right out of my pocket for the benefit of those who don't?"

    Harry is thinking his way along the mountain ridge, where clouds are lifting like a form of steam. As if in driven motion Mt. Pemaquid cleaves the summer sky and sun, though poolside is in shadow now. Thelma is saying cheerfully to the girlfriend, "Astrology, paten-reading, psychiatry - I'm for all of it. Anything that helps get you through." Harry is thinking of his own parents. They should have belonged to a club. Living embattled, Mom feuding with the neighbors, Pop and his union hating the men who owned the printing plant where he worked his life away, both of them scorning the few kin that tried to keep in touch, the four of them, Pop and Mom and Hassy and Mim, against the world and a certain guilt attaching to any reaching up and outside for a friend. Don't trust anybody: Andy Mellon doesn't, and 1 don't. Dear Pop. He never got out from under. Rabbit basks above that old remembered world, rich, at rest.

    Buddy's voice nags on, aggrieved. "Money that goes out of one pocket goes into somebody else's, it doesn't just evaporate. The big boys are getting rich out of this."

    A chair scrapes and Rabbit feels Webb stand. His voice comes from a height, gravelly, humorously placating. "Become a big boy yourself I guess is the only answer."

    "Oh sure," Buddy says, knowing he is being put off.

    A tiny speck, a bird, the fabled eagle it might be, no, from the motionlessness of its wings a buzzard, is flirting in flight with the ragged golden-green edge of the mountain, now above it like a speck on a Kodak slide, now below it out of sight, while a bluebellied cloud unscrolls, endlessly, powerfully. Another chair is scraped on the flagstones. His name, "Harry," is sharply called, in Janice's voice.

    He lowers his gaze at last out of glory and as his eyes adjust his forehead momentarily hurts, a small arterial pain; perhaps with such a negligible unexplained ache do men begin their deaths, some slow as being tumbled by a cat and some fast as being struck by a hawk. Cancer, coronary. "What did Bessie want?"

    Janice's tone is breathless, faintly stricken. "She says Nelson's come. With this girl."

    "Melanie," Harry says, pleased to have remembered. And his remembering brings along with it Buddy's girlfriend's name. Joanne. "It was nice to have met you, Joanne," he says in parting, shaking her hand. Making a good impression. Casting his shadow.

    As Harry drives them home in Janice's Mustang convertible with the top down, air pours over them and lends an illusion of urgent and dangerous speed. Their words are snatched from their mouths. "What the fuck are we going to do with the kid?" he asks her.

    "How do you mean?" With her dark hair being blown back, Janice looks like a different person. Eyes asquint against the rush of wind and her upper lip lifted, a hand held near her ear to keep her rippling silk head scarf from flying away. Liz Taylor in A Place in the Sun. Even the little crow's-feet at the corner of her eye look glamorous. She is wearing her tennis dress and the white cashmere cardigan.

    "I mean is he going to get a job or what?"

    "Well Harry. He's still in college."

    "He doesn't act like it." He feels he has to shout. "I wasn't so fucking fortunate as to get to college and the guys that did didn't goof off in Colorado hang gliding and God knows what until their father's money ran out."

    "You don't know what they did. Anyway times are different. Now you be nice to Nelson. After the things you put him through -"

    "Not just me."

    "- after what he went through you should be grateful he wants to come home. Ever."

    "I don't know."

    "You don't know what?"

    "This

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