Rabbit is rich
doesn't feel good to me. I've been too happy lately."

    "Don't be irrational," Janice says.

    She is not, this implies. But one of their bonds has always been that her confusion keeps pace with his. As the wind pours past he feels a scared swift love for something that has no name. Her? His life? The world? Coming from the Mt. Pemaquid direction, you see the hillside borough of Mt. Judge from a spread-out angle altogether different from what you see coming home from the Brewer direction: the old box factory a long lean-windowed slab down low by the dried-up falls, sent underground to make electricity, and the new supertall Exxon and Mobil signs on their tapered aluminum poles along Route 422 as eerie as antennae arrived out of space. The town's stacked windows burn orange in the sun that streams level up the valley, and from this angle great prominence gathers to the sandstone spire of the Lutheran church where Rabbit went to Sunday school under crusty old Fritz Kruppenbach, who pounded in the lesson that life has no terrors for those with faith but for those without faith there can be no salvation and no peace. No peace. A sign says THICKLY SETTLED. As the Mustang slows, Harry is moved to confess to Janice, "I started to tell you last night, this young couple came into the lot yesterday and the girl reminded me of Ruth. She would be about the right age too. Slimmer, and not much like her in her way of talking, but there was, I don't know, something."

    "Your imagination is what it was. Did you get the girl's name?" "I asked, but she wouldn't give it. She was cute about it, too. Kind of flirty, without anything you could put your finger on."

    "And you think that girl was your daughter."

    From her tone he knows he shouldn't have confessed. "I didn't say that exactly."

    "Then what did you say? You're telling me you're still thinking of this bag you fucked twenty years ago and now you and she have a darling little baby." He glances over and Janice no longer suggests Elizabeth Taylor, her lips all hard and crinkled as if baked in her fury. Ida Lupino. Where did they go, all the great Hollywood bitches? In town for years there had been just a Stop sign at the corner where Jackson slants down into Central but the other year after the burgess's own son smashed up a car running the sign the borough put in a light, that is mostly on blink, yellow this way and red the other. He touches the brake and takes the left turn. Janice leans with the turn to keep her mouth close to his ear. "You are crazy," she shouts. "You always want what you don't have instead of what you do. Getting all cute and smiley in the face thinking about this girl that doesn't exist while your real son, that you had with your wife, is waiting at home right now and you saying you wished he'd stay in Colorado."

    "I do wish that," Harry says - anything to change the subject even slightly. "You're wrong about my wanting what I don't have. I pretty much like what I have. The trouble with that is, then you get afraid somebody will take it from you."

    "Well it's not going to be Nelson, he wants nothing from you except a little love and he doesn't get that. I don't know why you're such an unnatural father."

    So they can finish their argument before they reach Ma Springer's he has slowed their speed up Jackson, under the shady interlock of maples and horsechestnuts, that makes the hour feel later than it is. "The kid has it in for me," he says mildly, to see what this will bring on.

    It re-excites her. "You keep saying that but it's not true. He loves you. Or did." Where the sky shows through the mingled tree tops there is still a difference of light, a flickering that beats upon their faces and hands mothlike. In a sullen semi-mollified tone she says, "One thing definite, I don't want to hear any more about your darling illegitimate daughter. It's a disgusting idea."

    "I know. I don't know why I mentioned it." He had mistaken the two of them for one and entrusted to

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