water,
but a man came and took water from the well
and a woman came and took water from the well
and a man took water from the well again
and the well could not drink
from the low, slack water-table.
The well lacked a sense of its own danger
and a man came to take water from the well
and a woman came to take water from the well
but as the man was coming again
the well sighed in the dry darkness,
the well spoke in a quiet voice
from the deep-down bell of its emptiness
Give me some water .
But the man was at work with his heavy bucket
and he cried cheerfully, Wait half a minute,
I will just draw one more bucketful!
When he swung it up it was full of dust
and he was angry with the well.
Could it not have held out longer?
He had only needed one more bucketful.
Heron
It’s evening on the river,
steady, milk-warm,
the nettles head-down
with feasting caterpillars,
the current turning,
thin as a blade-bone.
Reed-mace shivers.
I’m miles from anywhere.
Who’s looking?
did a fish jump?
– and then a heron goes up
from its place by the willow.
With ballooning flight
it picks up the sky
and makes off, loaded.
I wasn’t looking,
I heard the noise of its wings
and I turned,
I thought of a friend,
a cool one with binoculars,
here’s rarity
with big wing-flaps, suiting itself.
One yellow chicken
One yellow chicken
she picks up expertly and not untenderly
from the conveyor of chickens.
Its soft beak gobbles feverishly
at a clear liquid which might be
a dose of sugar-drenched serum –
the beak’s flexible membrane
seems to engulf the chicken
as it tries to fix on the dropper’s glass tip.
Clear yellow juice gulps through a tube
and a few drops, suddenly colourless,
swill round a gape wide as the brim of a glass
but the chicken doesn’t seem afraid –
or only this much, only for this long
until the lab assistant flicks it back on
to the slowly moving conveyor of chickens
and it tumbles, catches itself,
then buoyed up by the rest
reels out of sight, cheeping.
Sailing to Cuba
I’d climbed the crab-apple in the wind
that wild season of Cuba,
I leaned out on the twigs
to where clouds heeled over like sails
on the house-bounded horizon,
but even from here I felt the radio throb
like someone who was there when the accident happened
‘not two yards from where I was standing’,
then Big Band music cha-cha’d from room to room
to fill in time between news.
At school we learned ‘Quinquireme of Nineveh
from distant Ophir…’ The ships nudged closer.
The wind roared to itself like applause.
Off the West Pier
Dropped yolks of shore-lamp quiver on tarmac –
the night’s disturbed and the sea itself
sidles about after its storm, buttery,
melting along the groynes.
The sea’s a martinet with itself,
will come this far and no farther
like a Prussian governess
corrupted by white sugar –
Oh but the stealth
with which it twitches aside mortar
and licks, and licks
moist grains off the shore.
By day it simply keeps marching
beat after beat like waves of soldiers
timed to the first push. In step with the music
it swells greenness and greyness, spills foam
onto a fly-swarming tide-line –
beertabs and dropped King Cones,
flotsam of inopportune partners
sticky with what came after.
A man lies on his back
settled along the swell, his knees
glimmering, catching a lick of moonlight,
lazy as a seagull on Christmas morning –
He should have greased himself with whale-blubber
like a twelve-year-old Goddess-chested
cross-Channel swimmer.
His sadness stripes through him like ink
leaving no space or him.
He paws slow arm sweeps and rolls
where the sea shoulders him.
Up there an aeroplane falters,
its red landing-lights
Leigh James
Eileen Favorite
Meghan O'Brien
Charlie Jane Anders
Kathleen Duey
Dana Marton
Kevin J. Anderson
Ella Quinn
Charlotte MacLeod
Grace Brannigan