had.”
“That,” said Burden, ordering their drinks, “is sort of like Christmas in reverse. I mean the way we have fixed Father Christmas. It's probably Dad dressed up, but kids think it really is some old guy from Lapland. Or they do for a while.”
Mike could still surprise him with his occasional insights. He smiled. “That must have been quite a shock, finding those—er, remains in Grimble's cellar. I imagine your first thought was that here was the old man's lodger.”
“And my second and third thoughts.”
“It's a bit much, though, isn't it? This old man—how old was he, by the way? Eighty?—he murders his tenant and stuffs the corpse in the cellar. Or, because he's not strong enough to do that, lures him down into the cellar and there kills him. In six months' time the old man is dead and within weeks of his death the son is murdering another man and burying him in a trench some ten yards from where the other body is lying.”
“More than ten yards, Reg. More like twenty.”
“Ten or twenty, it doesn't make much difference. Does homicide run in the family? And if it does we have to suppose Grimble senior didn't wait until he was eighty and practically at death's door before he killed. So how many other unsolved killings are there along the way? And what are the motives in all this? Cui bono? ”
“We don't know who benefits, do we?” said Burden. “We don't yet know who either of these men are. We're not even near to finding out. The old man may have been dead before either of them died. We don't know what connection there was between them, if any.
“Isn't it rather odd that Mrs. McNeil should have written to you about this lodger? She didn't mention him before when Damon first interviewed her. And when you come to think of it, her story is pretty thin. I can understand she was bored and had nothing better to do than watch her neighbors' houses from morning till night, but why seize on that? Why jump to the conclusion that a man's disappeared—a man she didn't know but thinks was called Chapman, no first name—just because she hasn't actually seen him depart?”
“You think she knows more than she's telling?”
“Well, don't you? Another funny thing is the thousand pounds. The clothes were shabby, those jeans were on their last legs.” Burden realized what he had said and laughed. “Yet a thousand pounds was in the pocket?”
“And those notes had been in there for a decade.” Wexford shrugged. “I can't say I look forward to another session with John Grimble in the morning, and there'll be no wife there to ‘Oh, John’ him.”
“Don't be too sure,” said Burden. “What's the betting he brings her along? Do you want another couple of units of that red plonk?”
Wexford sat in his office at the rosewood desk (which was his own and not the property of the Mid-Sussex Police Force) contemplating the T-shirt that had been found in the kitchen of Grimble's bungalow. It had already been examined in the lab and put to rigorous testing.
On a white background was printed in black a scorpion, measuring twelve inches from head to curled-up forked tail. The lab gave its length in centimeters but Wexford refused to cope with that. Under the scorpion's tail was the name sam in block letters. The letters had been printed in red but had now faded to a dull pink. The only label inside the T-shirt was a tiny square of cotton bearing the letter “M” for medium.
He left it lying there when Grimble was announced. Burden would have won his bet if Wexford had done more than smile in response to the challenge, for Grimble had indeed brought his wife. She was without her knitting, and the devil finding no work for idle hands, hers wandered aimlessly about her lap, rubbed the surface of Wexford's desk, and occasionally scratched portions of her anatomy.
Grimble listened with apparent surprise and growing distaste to
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