Not In The Flesh

Not In The Flesh by Ruth Rendell

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Authors: Ruth Rendell
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longest piece of timber until it came free, dislodging some of the logs and sending them tumbling. He pulled at another, smaller, board and heard the inspector's indrawn breath.
       “There's something under there,” Burden said.
       The flashlights set down on a shelf, their beams playing on the heap of timber, revealed what might have been a small piece of white rag. They carefully lifted logs one by one until hair came to light, black and coarse like the horsehair Burden had once seen stuffing an old sofa, then something that might have been a section of bone. When what was under the logs was half-exposed, Damon took a step backward, grasped his flashlight, and shone the beam directly downward. By its light, he and Burden were looking down at the remains of a man, bones mostly, vestiges of gray flesh clinging to them, still dressed with horrid incongruity in whitish under-shirt and underpants. The black hair, the first thing Burden had seen, longish and shaggy, covered the back of the skull. Whoever he was appeared to have been dumped face downward, the arms and legs spread in a starfish shape.
       The smell in the house came from elsewhere. Here, only a kind of airlessness combined with a whiff of coal dust remained, for the body they were looking at had been there a long time.
       “Is this the chap who didn't leave, sir?”
       “Plainly, he didn't,” said Burden, “but who he was, God knows. One thing's for sure. Just as you don't bury yourself, you don't hide yourself in a woodpile after you're dead.”

8
    His whole team was there, at the kind of meeting he usually held at nine in the morning. The time was seven in the evening and dark as midnight. They looked tired, even the very young ones. Burden was trim as ever in a stone linen jacket and jeans, his forehead pleated in a frown, his graying hair cut a fraction too short. Weariness makes some people look younger and Hannah was one of them, the color gone from her cheeks, her eyes heavy, while Lyn's and Karen's faces, made up as usual in the morning, were now shiny and pale as nature made them. Damon seemed the exception to the rule that black skins bleach to gray when exhaustion sets in and he still had that alert look, his eyes pitch black and bright, the whites almost blue, which Wexford so liked about him.
       He noticed that he alone among the men wore a tie. Barry's shirt under a thin zipper jacket was open almost to the waist, revealing a fleshy roll which, in women, he'd heard called a “muffin top.” Like Hamlet he had been “too much in the sun” and, from bridge to tip, his nose was burnt red from the long protracted summer, as was his tieless throat. Ties had almost disappeared, at least they had out here in the country, and Wexford wondered what inhibition or diffidence in himself made him need to go on wearing this weathered, worn, and stain-spotted strip of synthetic fabric.
       Wondered, but only for a moment, and then he began to address them. “This afternoon,” he began, “the body of a man was found in the derelict bungalow on Grimble's Field. Mike Burden and Damon Coleman went in there on a routine search and found the body in the cellar. We don't know who it is, but Carina has seen it and says she'd guess it's been there a shorter time than the unidentified corpse in the trench. Nor can we say yet if there's any connection between these two bodies. We shall know more tomorrow when she's done the postmortem.
       “As for Peter Darracott, we are waiting for the result of the DNA test and we should get that tomorrow. Depending on that result, we may have to widen our search. If, for instance, the body in the trench isn't Peter Darracott. There appear to be no more missing or possibly missing males in the Kingsmarkham area who disappeared sometime in the spring of 1995. There is of course the possibility that the body in the cellar is Darracott's. I shall have John Grimble in here in the morning and question him about

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