ACCLAIM FOR ALEJANDRO ZAMBRA
My Documents
Named one of the Best Books of 2015 by
The Boston Globe
A
New York Times
Editorsâ Choice
Finalist for the Frank OâConnor International Short Story Award
âAll of [Zambraâs books] are very short and strikingly original. . . . In his new book, Zambra returns to the twin sources of his talentâto his storytelling vitality, that living tree which blossoms often in these pages, and to his unsparing examination of recent Chilean history.â
âJames Wood,
The New Yorker
âZambraâs books have long shown him to be a writer who, at the sentence level, is in a world all his own. . . . Let us now forget the smallness of simply spearheading a new Latin American fiction.
My Documents
goes beyond that, brighter than most anything weâd call exceptional, yesterday or today and in any language.â
âNPR
âThis dynamite collection of stories has it allâChile and Belgium, exile and homecomings, Pinochet and Simon and Garfunkelâbut what I love most about the tales is their strangeness, their intelligence, and their splendid honesty.â
âJunot DÃaz, NewYorker.com
âZambra knows how to turn the familiar inside out, but he also knows how to wrap us up in it. His generous stories satisfy our demand for narrative even as they question it.â
âNatasha Wimmer,
The New York Times Book Review
â[A] dazzlingly funny and playful collection.â
âJohn Freeman,
The Boston Globe
âSentence-by-sentence pleasure . . . [Zambraâs] most substantial achieve-ment yet.â
â
The Seattle Times
âMuch like Junot DÃazâs
Drown
, the stories in Chilean author Zambraâs collection are discrete tales that blend together with an impressive fluidity. . . . Through eleven stories, the authorâs charming cast examines religion, soccer, relationships, and the lure of solitudeâall from a distinctly Chilean perspective. But the view is also a youthful one, neatly capturing the puzzling process of trying to figure out who you really are. Aââ
â
Entertainment Weekly
âCompulsive . . . rich and thought-provoking . . . If you are going to read Zambra, which you should, donât just read
My Documents
: read everything heâs done.â
â
The Guardian
(London)
âZambraâs sentences comically dance around narrative convention without disrupting the immersive pull of the story. I can think of no one else who does this, and the effect is spellbinding. . . . His fiction is, quite simply, some of the best being produced today.â
âMatt Kessler, The Rumpus
âZambra is so alert to the intimate beauty and mystery of being alive that in his hands a raindrop would feel as wide as a world.â
âAnthony Marra, author of
A Constellation of Vital Phenomena
â
My Documents
is an act of literary levitationâluminous, magical, and profound, written with the mysterious quality of weightlessness.â
âJess Walter, author of
Beautiful Ruins
âZambra is one of my favorite living writers. He brings such clarity, exactitude, compassion, oddity, and inventiveness to his books that every new volume he publishes goes on my read-this-immediately list.â
âKevin Brockmeier, author of
The Brief History of the Dead
Ways of Going Home
â[Alejandro Zambraâs novels] are written with startling talent. And Zambraâs latest novel represents, I think, his deepest achievement. . . . The best conjuring trick is the one where youâre shown how itâs done, which in no way contradicts your belief that what youâve seen is magic.â
âAdam Thirlwell,
The New York Times Book Review
âIn many ways, [this] book recalls the miniature roominess Philip Roth achieved in his great novel,
The Ghost Writer
. The stories we tell imagine us as
Fuyumi Ono
Tailley (MC 6)
Robert Graysmith
Rich Restucci
Chris Fox
James Sallis
John Harris
Robin Jones Gunn
Linda Lael Miller
Nancy Springer