enlisted—everyone but Shaoai, who was mostly absent, and her grandfather, so close to the end that the only thing desired from him, it seemed, was a speedier death than he could offer.
The bed-bound man was quiet most of the time, but when he was hungry or thirsty or needed the pad underneath him to be changed, he gathered what strength was left in his body and gave out wild shrieks; when help was not instantly delivered, he banged his upper body against the bed, producing a terrible noise. Accustomed, Ruyu imagined, to such violent communications, Uncle and Aunt were unhurried in their response, patience their only protest against a deterioration that had lasted too long. When the neighbors talked about the old man, they spoke of him as a skillful repairman of watches and fountain pens, and of his fondness for his two-string fiddle and tall tales, as though he—the man lying in the room, no more than a bag of bones—was only playing at being alive and should not be confused with the real man.
Whenever she found an opportunity, Ruyu snuck into the old man’s bedroom. A homemade wooden shelf stood at the end of the bed, empty but for a coil of bug-repelling incense, a jar of ointmentfor bedsores, and a framed family picture taken years ago: Shaoai, a toddler with pigtails, sat between her grandparents, and her parents, young and docile looking, stood behind. A folding chair—in which Aunt and sometimes Uncle would sit to feed the old man—leaned against the wall. A small window high up on the wall was kept open, though the air smelled constantly of stale bedding, wet pad, smoky incense, and pungent ointment.
The room, unlike the rest of the house, was not cluttered, and oddly it reminded Ruyu of her grandaunts’ place. They were pristine housekeepers, and Ruyu knew that they would not find it flattering to be associated, even in her most private thoughts, with the unseemliness of sickness and decay in Grandpa’s room. But her grandaunts would never ask for her opinions on such things, so they would not know what was on her mind.
Ruyu had not found the silence of her old home extraordinary until she arrived in Beijing; here words were used as a lubricant of everyday life, and the clutter in people’s lives—meaningless events, small objects—offered endless subjects for a chat. In her grandaunt’s apartment, there were no potted plants to leak muddy water or to drop stale flowers as Ruyu had seen in Aunt’s house; there were no stacks of old brown wrapping paper to collect dust, no strands of plastic strings to get tangled, awaiting reuse. Twice a year—once before the summer, and again before the winter—her grandaunts brought out their sewing machine. During the next few days, the apartment took on a busy chaos that Ruyu never tired of: old skirts and blouses were carefully unstitched at the seams with a small pair of scissors, then rearranged and chalked, on top of paper samples, to become parts of new clothes; the small drum that dripped oil into every joint of the machine made soothing tut-tutting sounds when you pressed it; spools of thread, in different hues of blue and gray, were lined up to match the fabrics; when one of her grandaunts pedaled the sewing machine, the silver needle took on a life of its own, darting in and out of the fabric. But even during those festive days of sewing, Ruyu hadlearned the importance of calm and order. She helped her grandaunts thread their needles; she cleaned up small pieces of fabric and thread, and, when allowed by her grandaunts, sewed them into a small ball—yet her relish in doing these things she knew to hide: making their own clothes was, more than a necessity, a way for them to differentiate themselves from a world to which they did not conform; finding happiness in one’s duty was, to say the least, an act of arrogance before God.
And it was God who had led her to Grandpa’s room, which made Ruyu feel at home: its emptiness was inviting more than
The bed-bound man was quiet most of the time, but when he was hungry or thirsty or needed the pad underneath him to be changed, he gathered what strength was left in his body and gave out wild shrieks; when help was not instantly delivered, he banged his upper body against the bed, producing a terrible noise. Accustomed, Ruyu imagined, to such violent communications, Uncle and Aunt were unhurried in their response, patience their only protest against a deterioration that had lasted too long. When the neighbors talked about the old man, they spoke of him as a skillful repairman of watches and fountain pens, and of his fondness for his two-string fiddle and tall tales, as though he—the man lying in the room, no more than a bag of bones—was only playing at being alive and should not be confused with the real man.
Whenever she found an opportunity, Ruyu snuck into the old man’s bedroom. A homemade wooden shelf stood at the end of the bed, empty but for a coil of bug-repelling incense, a jar of ointmentfor bedsores, and a framed family picture taken years ago: Shaoai, a toddler with pigtails, sat between her grandparents, and her parents, young and docile looking, stood behind. A folding chair—in which Aunt and sometimes Uncle would sit to feed the old man—leaned against the wall. A small window high up on the wall was kept open, though the air smelled constantly of stale bedding, wet pad, smoky incense, and pungent ointment.
The room, unlike the rest of the house, was not cluttered, and oddly it reminded Ruyu of her grandaunts’ place. They were pristine housekeepers, and Ruyu knew that they would not find it flattering to be associated, even in her most private thoughts, with the unseemliness of sickness and decay in Grandpa’s room. But her grandaunts would never ask for her opinions on such things, so they would not know what was on her mind.
Ruyu had not found the silence of her old home extraordinary until she arrived in Beijing; here words were used as a lubricant of everyday life, and the clutter in people’s lives—meaningless events, small objects—offered endless subjects for a chat. In her grandaunt’s apartment, there were no potted plants to leak muddy water or to drop stale flowers as Ruyu had seen in Aunt’s house; there were no stacks of old brown wrapping paper to collect dust, no strands of plastic strings to get tangled, awaiting reuse. Twice a year—once before the summer, and again before the winter—her grandaunts brought out their sewing machine. During the next few days, the apartment took on a busy chaos that Ruyu never tired of: old skirts and blouses were carefully unstitched at the seams with a small pair of scissors, then rearranged and chalked, on top of paper samples, to become parts of new clothes; the small drum that dripped oil into every joint of the machine made soothing tut-tutting sounds when you pressed it; spools of thread, in different hues of blue and gray, were lined up to match the fabrics; when one of her grandaunts pedaled the sewing machine, the silver needle took on a life of its own, darting in and out of the fabric. But even during those festive days of sewing, Ruyu hadlearned the importance of calm and order. She helped her grandaunts thread their needles; she cleaned up small pieces of fabric and thread, and, when allowed by her grandaunts, sewed them into a small ball—yet her relish in doing these things she knew to hide: making their own clothes was, more than a necessity, a way for them to differentiate themselves from a world to which they did not conform; finding happiness in one’s duty was, to say the least, an act of arrogance before God.
And it was God who had led her to Grandpa’s room, which made Ruyu feel at home: its emptiness was inviting more than
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