and go out the far side. He’s almost feeling excited about it as he passes through the entrance, hopping over the ticket gates without a second thought, and up the short stairs to the first platform –
Where there’s a train waiting.
It’s a short one, just four cars, a commuter train meant to shunt people back and forth to the city up the tracks, and he half expects passengers to start emptying out the doors or for the train to start pulling slowly away from the platform.
It doesn’t, of course. It just sits there, silent as a rock from the earth, covered in the dust of this place. There are weeds growing up all along the cracks of the platform and even some in the gutters along the train’s roof. Like the cars on the streets outside, it hasn’t moved in a long time.
“Hello?” he calls. He walks across the platform to look in through a window, but it’s mostly dark, the windows so badly dusted over they block out most of the afternoon sun. He pushes the open button on the closest door, but there’s no power running through it and it stays firmly shut.
He looks down the length of the train. At the front, the door to the driver’s compartment has come open. He walks to it, takes the torch out of the backpack and sticks his head inside the driver’s compartment. There’s only one seat behind the controls, which surprises him. He’d have thought there’d be two, like in airplanes. The screens on the dash are all either cracked or dusted over, dark without power.
There’s a door inside to the rest of the train, and it’s open, too. Seth steps up into the compartment and shines the light through the inner doorway, down the central aisle of the first car.
It smells. Animals have clearly been in here. There’s a fug of urine and musk, and the dust on the linoleum floor of the aisle is disturbed and streaked in any number of unpleasant ways. He can imagine all kinds of foxes huddled under seats now, watching him with his torch, wondering what he’ll do.
What he does is look around, almost overwhelmed with memories. The sun is bright enough for a dim light through the filthy windows, many of which are scratched with unintelligible graffiti, but there’s enough to see the blue cross-hatch pattern on the cloth of the seats. He runs a hand down one, burring the fuzz with his fingertips.
The train. The
train.
He hasn’t been on a train since he left England. Not once. Americans on the west coast didn’t take trains. They drove. Everywhere. This is literally the first time he’s set foot on board a train since they crossed the ocean.
And everything the train had meant when he was young! Trips up to London and all the city had to offer a boy of six and seven and eight. The zoo, the Wheel, the wax museum, the other museums that were less interesting because they had no wax. Or down the other way, too, to the coast, with its castles on hills and the great big white cliffs that his mum wouldn’t let him or Owen anywhere near. And the pebbly beaches. And the ferries to France.
Trains
always
went somewhere amazing when you were eight years old. They were a way out of the same houses and the same faces and the same shops. It seems embarrassing now, to have been so excited by a simple train journey that millions of people took every day, but Seth can feel a little smile spread across his face as he steps farther down the car, shining the torch on the overhead racks and the assorted blocks of seats, two here, three there, and at the back of the car, the little boxed door to the horrible train toilet that Owen, without fail, would need to use within five minutes of the train leaving the station in whatever direction.
Seth shakes his head. He’d almost forgotten trains existed. Looking at it now, he can’t believe how exotic they seemed to him as a little boy.
Still, though,
he thinks.
A train.
Which is when the door to the bathroom crashes open and a monster comes roaring up the aisles straight for
Where there’s a train waiting.
It’s a short one, just four cars, a commuter train meant to shunt people back and forth to the city up the tracks, and he half expects passengers to start emptying out the doors or for the train to start pulling slowly away from the platform.
It doesn’t, of course. It just sits there, silent as a rock from the earth, covered in the dust of this place. There are weeds growing up all along the cracks of the platform and even some in the gutters along the train’s roof. Like the cars on the streets outside, it hasn’t moved in a long time.
“Hello?” he calls. He walks across the platform to look in through a window, but it’s mostly dark, the windows so badly dusted over they block out most of the afternoon sun. He pushes the open button on the closest door, but there’s no power running through it and it stays firmly shut.
He looks down the length of the train. At the front, the door to the driver’s compartment has come open. He walks to it, takes the torch out of the backpack and sticks his head inside the driver’s compartment. There’s only one seat behind the controls, which surprises him. He’d have thought there’d be two, like in airplanes. The screens on the dash are all either cracked or dusted over, dark without power.
There’s a door inside to the rest of the train, and it’s open, too. Seth steps up into the compartment and shines the light through the inner doorway, down the central aisle of the first car.
It smells. Animals have clearly been in here. There’s a fug of urine and musk, and the dust on the linoleum floor of the aisle is disturbed and streaked in any number of unpleasant ways. He can imagine all kinds of foxes huddled under seats now, watching him with his torch, wondering what he’ll do.
What he does is look around, almost overwhelmed with memories. The sun is bright enough for a dim light through the filthy windows, many of which are scratched with unintelligible graffiti, but there’s enough to see the blue cross-hatch pattern on the cloth of the seats. He runs a hand down one, burring the fuzz with his fingertips.
The train. The
train.
He hasn’t been on a train since he left England. Not once. Americans on the west coast didn’t take trains. They drove. Everywhere. This is literally the first time he’s set foot on board a train since they crossed the ocean.
And everything the train had meant when he was young! Trips up to London and all the city had to offer a boy of six and seven and eight. The zoo, the Wheel, the wax museum, the other museums that were less interesting because they had no wax. Or down the other way, too, to the coast, with its castles on hills and the great big white cliffs that his mum wouldn’t let him or Owen anywhere near. And the pebbly beaches. And the ferries to France.
Trains
always
went somewhere amazing when you were eight years old. They were a way out of the same houses and the same faces and the same shops. It seems embarrassing now, to have been so excited by a simple train journey that millions of people took every day, but Seth can feel a little smile spread across his face as he steps farther down the car, shining the torch on the overhead racks and the assorted blocks of seats, two here, three there, and at the back of the car, the little boxed door to the horrible train toilet that Owen, without fail, would need to use within five minutes of the train leaving the station in whatever direction.
Seth shakes his head. He’d almost forgotten trains existed. Looking at it now, he can’t believe how exotic they seemed to him as a little boy.
Still, though,
he thinks.
A train.
Which is when the door to the bathroom crashes open and a monster comes roaring up the aisles straight for
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