Kinder Than Solitude
stop bleeding after it was punched by a thin needle.
    But how could anyone, Moran wondered now, warrant the trustworthiness of one’s memories? The certainty with which her parents spoke of Ruyu’s culpability was the same certainty with which they believed in their own daughter’s innocence. Those seeking sanctuary in misremembering did not separate what had happened from what could have happened.
    Moran had not believed—still could not believe—that Ruyu had meant to do anyone harm. A murder needed motivation, a plot, or else it needed a moment of despair and insanity, as, in her own imagination, the young shepherd had experienced when he drowned his own love along with an innocent child. Moran had not known Ruyu well when they were young; even in retrospect she could not say that she understood Ruyu: she was one of those who defied being known. She had shown no remorse or concern when Shaoai was found poisoned. Had that made Ruyu more culpable than others? But the same could be said of Moran’s own divorce: many among Josef’s friends and family believed her manipulative, saying she’d got what she wanted from the marriage and discarded it the moment she had accomplished her goal. The excuse she had given Josef was halfhearted, the reticence she had maintained in front of others defiant, which made her guiltier than if she had asked for forgiveness.
    Yet forgiveness Josef had given her. “Survived by a caring ex-wife,”his words returned to her. Josef was dying, and Shaoai was dead: for the former, it was insufficient to watch from afar; for the latter, it was painfully confusing even seen from a distance. Moran quickened her steps. In three days she would be in Josef’s city, closer to him even though he was closer to death than ever.

6
    Much of Ruyu’s existence in Beijing required explanations: Whose daughter was she? Where did she come from? What was she going to do with her life now that she was here? These questions, mixed with less demanding ones about her first impressions of the city and her previous life, were tiresome: either people asked questions they had no right to, or else they asked questions not worth answering.
    When Ruyu could not produce satisfying answers, Aunt seemed to be both protective of her and embarrassed on her behalf; people would comfort Aunt, saying that Ruyu was still new among them, that she was shy, that by and by she would talk more. Ruyu tried not to stare at people when they said such things in her presence. She did not understand what they meant by her being shy, as she had never felt so in her life—one either had something to say to people, or did not. This idea, though, seemed unacceptable to the neighbors in the quadrangle, where life, from breakfast on, was lived in a communal manner, everyone’s business pertinent to the next person; nor did her silence please the old people who sat in the alleyways, in the shadows of the locust trees before the morning breeze was replaced by the unrelenting heat of the season, and who, tired of old tales, looked up at the unfamiliar face of Ruyu, hoping that she would break the monotonybut not the serenity of their days by offering something fresh and forgettable.
    Soon she became known in the quadrangle and around the neighborhood as the girl who liked to sit with a dying man. There was nothing morbid about watching a man die slowly, though this, Ruyu knew, was not something others would understand. The strangers who had quickly claimed her as one of their own—a friend, a niece, a neighbor—looked for an explanation for her disturbing preference and regained their equanimity when they found one: the girl, anemic, unapproachable at times, was an orphan after all. In time, they would instill in her some normalcy and transform her into something better, but until then they would have to treat her with extra kindness, as one would when looking after a sick bird. In this group effort, almost everyone in the quadrangle was

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