O n a summer’s day in Wrocław, take a stroll along Ulica Marie Curie Sklodowskiej – Marie Curie Sklodowskiej Street. Modern ‘bendy buses’ with TV screens and electronic ticket machines vie for room on the suburban boulevard with clapped-out yellow coaches and trams which trundle east and west at regular intervals. After ten or so minutes you will cross the Most Zwierzyniecki – Zwierzyniecki bridge – which spans one of the countless arms of the Oder. It has stood here since 1897 – there is an inscription celebrating the toil of the men who spent two years building it. But like all traces of the city’s Germanic past, the plaque above the dateline has gone. Less easy to erase are the traces of battle; as with many of Wrocław’s Oder crossings, Most Zwierzyniecki, is scarred by the bullets which struck it in the spring of 1945. Across the bridge you enter a district of avenues lined by trees. Ulica Marie Curie Sklodowskiej becomes Ulica Zygmunta Wróblewskiego – the fourth title it has enjoyed in a century. On your right are the zoological gardens, on your left Ulica Adama Mickiewicza. Follow it for 150 yards until the trees part, revealing an alley leading to one of Wrocław’s jewels: Hala Ludowa – the People’s Hall – Max Berg’s imposing colosseum of concrete and steel, built in 1913 to celebrate the 100th anniversary of the German people breaking the shackles of Napoleonic rule. Tall columns, their plinths empty, lead down a sprawling concourse, dominated by a gigantic metallic spike or spire, the Iglica , erected in 1948 to celebrate Silesia’s ‘return’ to Poland. To the left is a four-domed exhibition hall, latterly home to the Wytwórnia Filmów Fabularnych – the factory of feature films. Four concrete modernist statues stand guard in front of it. The entrances are barred, the doors obliterated by Polish graffiti. The portico’s cracked tile floor is covered with leaves, cigarette ends, sweet wrappers and other detritus. At one end of this seemingly forgotten porch is a huge tablet in a wretched state of repair, honouring the deeds of Polish soldiers who marched westwards with Soviet troops in 1944 and 1945 from the Bug to the Vistula, through Warsaw, through Pomerania, across the Oder and Neisse, and finally into Berlin. Turn around and you will find another huge stone inscription. A helmet adorned with a Red Star sits on a laurel wreath, chipped and discoloured, stained by more than six decades’ exposure to the elements. Beneath it a litany of Red Army victories: Moscow, Stalingrad, Kursk, Leningrad, the Ukraine, Byelorussia, Warsaw, Budapest and Bucharest, Belgrade, Vienna, Prague, and Berlin among them, plus the name of this city, Wrocław. Like every monument, memorial and grave for the fallen of 1945, the gigantic tablets in the grounds of the Hala Ludowa are crumbling, decaying, overgrown, unloved, forgotten.
For once a terrible battle raged for this city. The siege of Breslau – as it was then – lasted longer than the battle for any other German city in 1945. The city was encircled for longer than Berlin (ten days), Budapest (sixty days), even Stalingrad (seventy-three days). It is a struggle which came to naught for the defenders. It achieved nothing, save to reduce a city, which was barely touched by war as 1945 began, to a ruin by the time it surrendered on May 6th. The devastation wrought was greater than in the German capital, greater than in Dresden – that byword for destruction in World War 2 – and as great as in Hamburg, another metropolis laid waste by Allied bombers. * At least 18,000 of Breslau’s population died in less than one week, fleeing the advancing Red Army in the depths of winter. A further 25,000 people – soldiers, civilians, foreign labourers, prisoners – were killed during the twelve-week struggle for Breslau. Nor does the story – or the suffering – end with the city’s fall. For the German survivors, bitter fates awaited: for the
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