F Is for Fugitive

F Is for Fugitive by Sue Grafton

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Authors: Sue Grafton
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in the parking slot until I'd seen him walk by, returning to the Fowlers. I didn't like the idea of his being anywhere near my room if I was off the premises.
    I drove half a mile along the two-lane access road that connected Floral Beach to the highway, another mile due north. I reached the entrance to the Eucalyptus Mineral Hot Springs and turned into the parking lot. The brochure in the motel office indicated that the sulfur-based springs had been discovered in the late 1800s by two men drilling for oil. Instead of the intended rigs, a spa was built, serving as a therapeutic center for ailing Californians who arrived by train, alighting at the tiny station just across the road. A staff of doctors and nurses attended the afflicted, offering cures that included mud baths, nostrums, herbal treatments, and hydroelectric therapy. The facility flourished briefly and then fell into disuse until the 1930s, when the present hotel was constructed on the site. A second incarnation occurred in the early seventies when spas became fashionable again. Now, in addition to the fifty or so hot tubs that dotted the hillside under the oak and eucalyptus trees, there were tennis courts, a heated pool, and aerobics classes available, along with a full program of facials, massage, yoga instruction, and nutritional counseling.
    The hotel itself was a two-story affair, a curious testament to thirties architecture, art deco Spanish, complete with turrets, sensuously rounded corners, and walls of block glass. I approached the office by way of a covered walk, the air chilled by deep shade unrelieved by sunlight. At close range, the building's stucco exterior showed bulging cracks that snaked up from the foundations to the terracotta roof tiles that had aged to the color of cinnamon. The sulfurous aroma of the mineral springs blended dankly with the smell of wet leaves. There was the suggestion of subtle leakages, something permeating the soil, and I wondered if, later, drums of poisonous wastes would be excavated from the spot.
    I took a quick detour, climbing a set of steep wooden stairs that cut up along the hill behind the hotel. There were gazebos at intervals, each sheltering a hot tub sunk into a wooden platform. Weathered wooden fences were strategically placed to shield the bathers from public view. Each alcove had a name, perhaps to facilitate some scheduling procedure in the office down below. I passed "Serenity,"
    "Meditation,"
    "Sunset," and "Peace," uncomfortably aware of how similar the names were to the "sleep rooms" in certain funeral homes of my acquaintance. Two of the tubs were empty, littered with fallen leaves. One had an opaque plastic cover lying on the surface of the water like a skin. I picked my way down the steps again, thankful that I wasn't in the market for a hot soak.
    At the main building, I pushed through glass doors into the reception area. The lobby seemed more inviting, but it still had the feel of a YWCA in need of funds. The floors were a mosaic of black and white tiles, the smell of PineSol suggesting a recent swabbing with a wet mop. From the far reaches of the interior, I could hear the hollow echoes of an indoor pool where a woman with a German accent called out authoritatively, "Kick! Resist! Kick! Resist!" Her commands were punctuated by a torpid splashing that called to mind the clumsy mating of water buffalo.
    "May I help you?"
    The receptionist had emerged from a small office behind me. She was tall, big-boned, one of those women who probably shopped in the "full figured" department of women's clothing stores. She must have been in her late forties, with white-blond hair, white lashes, and pale, unblemished skin. Her hands and feet were large, and the shoes she wore were the prison-matron-lace-up sort.
    I handed her my business card, introducing myself. "I'm looking for someone who might remember Jean Timberlake."
    She kept her eyes pinned on my face, her expression blank. "You'll want to talk to my

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