Collected Fictions

Collected Fictions by Jorge Luis Borges, Andrew Hurley Page A

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Authors: Jorge Luis Borges, Andrew Hurley
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Quaritch, Bookseller. [1]
    The first, Lesbare und lesenswer the Bemerkungen über das Land Ukkbar in Klein-Asien, published in 1641, is the work of one Johannes Valentinus Andrea. That fact is significant: two or three years afterward, I came upon that name in the unexpected pages of De Quincey ( Writings, Vol. XIII*), where I learned that it belonged to a German theologian who in the early seventeenth century described an imaginary community, the Rosy Cross—which other men later founded, in imitation of his foredescription.
    That night, Bioy and I paid a visit to the National Library, where we pored in vain through atlases, catalogs, the yearly indices published by geographical societies, the memoirs of travelers and historians—no one had ever been in Uqbar. Nor did the general index in Bioy's copy of the encyclopedia contain that name. The next day, Carlos Mastronardi* (whom I had told about all this) spotted the black-and-gold spines of the Anglo-American Cyclopaedia in a bookshop at the corner of Corrientes and Talcahuano.... He went in and consulted Volume XLVI. Naturally, he found not the slightest mention of Uqbar.

    II

    Some limited and waning memory of Herbert Ashe, an engineer for the Southern Railway Line, still lingers in the hotel at Adrogué, among the effusive honeysuckle vines and in the illusory depths of the mirrors. In life, Ashe was afflicted with unreality, as so many Englishmen are; in death, he is not even the ghost he was in life. He was tall and phlegmatic and his weary rectangular beard had once been red. I understand that he was a widower, and without issue. Every few years he would go back to England, to make his visit (I am judging from some photographs he showed us) to a sundial and a stand of oak trees. My father had forged one of those close English friendships with him (the first adjective is perhaps excessive) that begin by excluding confidences and soon eliminate conversation. They would ex-change books and newspapers; they would wage taciturn battle at chess.... I recall Ashe on the hotel veranda, holding a book of mathematics, looking up sometimes at the irrecoverable colors of the sky. One evening, we spoke about the duodecimal number system, in which twelve is written 10. Ashe said that by coincidence he was just then transposing some duodecimal table or other to sexagesimal (in which sixty is written 10). He added that he'd been commissioned to perform that task by a Norwegian man ... in Rio Grande do Sul. Ashe and I had known each other for eight years, and he had never mentioned a stay in Brazil. We spoke of the bucolic rural life, of capangas* of the Brazilian etymology of the word "gaucho" (which some older folk in Uruguay still pronounce as gaucho), and nothing more was said—God forgive me—of duodecimals. In September of 1937 (my family and I were no longer at the hotel), Herbert Ashe died of a ruptured aneurysm. A few days before his death, he had received a sealed, certified package from Brazil containing a book printed in octavo major. Ashe left it in the bar, where, months later, I found it. I began to leaf through it and suddenly I experienced a slight, astonished sense of dizziness that I shall not describe, since this is the story not of my emotions but of Uqbar and Tlön and Orbis Tertius. (On one particular Islamic night, which is called the Night of Nights, the secret portals of the heavens open wide and the water in the water jars is sweeter than on other nights; if those gates had opened as I sat there, I would not have felt what I was feeling that evening.) The book was written in English, and it consisted of 1001 pages. On the leather-bound volume's yellow spine I read these curious words, which were repeated on the false cover: A First Encyclopaedia of Tlön. Vol. XI. Hlaer to Jangr. There was no date or place of publication. On the first page and again on the onionskin page that covered one of the color illustrations there was stamped a blue oval with this

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