shelf down in the cellar, and she was going to bring it up. Tonight.
She opened her eyes.
Flex.
The bureau rose into the air, trembled for a moment, and then rose until it nearly touched the ceiling. She lowered it. Lifted it. Lowered it. Now the bed, complete with her weight. Up. Down. Up. Down. Just like an elevator.
She was hardly tired at all. Well, a little. Not much. The ability, almost lost two weeks ago, was in full flower. It had progressed at a speed that wasâ
Well, almost terrifying.
And now, seemingly unbiddenâlike the knowledge of menstruationâa score of memories had come, as if some mental dam had been knocked down so that strange waters could gush forth. They were cloudy, distorted little-girl memories, but very real for all that. Making the pictures dance on the walls; turning on the water faucets from across the room; Momma asking her
(carrie shut the windows it's going to rain)
to do something and windows suddenly banging down all over the house; giving Miss Macaferty four flat tires all at once by unscrewing the valves in the tires of her Volkswagen; the stonesâ
(!!!!!!! no no no no no !!!!!!!)
âbut now there was no denying the memory, no more than there could be a denying of the monthly flow, and that memory was not cloudy, no, not
that
one; it was harsh and brilliant, like jagged strokes of lightning: the little girl
(momma stop momma don't i can't breathe o my throat o momma i'm sorry i looked momma o my tongue blood in my mouth)
the poor little girl
(screaming: little slut o i know how it is with you i see what has to be done)
the poor little girl lying half in the closet and half out of it, seeing black stars dancing in front of everything, a sweet, faraway buzzing, swollen tongue lolling between her lips, throat circled with a bracelet of puffed, abraded flesh where Momma had throttled her and then Momma coming back, coming for her, Momma holding Daddy Ralph's long butcher knife
(cut it out i have to cut out the evil the nastiness sins of the flesh o i know about that the eyes cut out your eyes)
in her right hand, Momma's face twisted and working, drool on her chin, holding Daddy Ralph's Bible in her other hand
(you'll never look at that naked wickedness again)
and something flexed, not flex but
FLEX,
something huge and unformed and titanic, a wellspring of power that was not hers now and never would be again and then something fell on the roof and Momma screamed and dropped Daddy Ralph's Bible and that was
good,
and then more bumps and thumps and then the house began to throw its furnishings around and Momma dropped the knife and got on her knees and began to pray, holding up her hands and swaying on her knees while chairs whistled down the hall and the beds upstairs fell over and the dining room table tried to jam itself through a window and then Momma's eyes growing huge and crazed, bulging, her finger pointing at the little girl
(it's you it's you devilspawn witch imp of the devil it's
you
doing it)
and then the stones and Momma had fainted as their roof cracked and thumped as if with the footfalls of God and thenâ
Then she had fainted herself. And after that there were no more memories. Momma did not speak of it. The butcher knife was back in its drawer. Momma dressed the huge black and blue bruises on her neck and Carrie thought she could remember asking Momma how she had gotten them and Momma tightening her lips and saying nothing. Little by little it was forgotten. The eye of memory opened only in dreams. The pictures no longer danced on the walls. The windows did not shut themselves. Carrie did not remember a time when things had been different. Not until now.
She lay on her bed, looking at the ceiling, sweating.
âCarrie! Supper!â
âThank you,
(i am not afraid)
Momma.â
She got up and fixed her hair with a dark-blue headband. Then she went downstairs.
From
The Shadow Exploded
(p. 59):
How apparent was Carrie's
She opened her eyes.
Flex.
The bureau rose into the air, trembled for a moment, and then rose until it nearly touched the ceiling. She lowered it. Lifted it. Lowered it. Now the bed, complete with her weight. Up. Down. Up. Down. Just like an elevator.
She was hardly tired at all. Well, a little. Not much. The ability, almost lost two weeks ago, was in full flower. It had progressed at a speed that wasâ
Well, almost terrifying.
And now, seemingly unbiddenâlike the knowledge of menstruationâa score of memories had come, as if some mental dam had been knocked down so that strange waters could gush forth. They were cloudy, distorted little-girl memories, but very real for all that. Making the pictures dance on the walls; turning on the water faucets from across the room; Momma asking her
(carrie shut the windows it's going to rain)
to do something and windows suddenly banging down all over the house; giving Miss Macaferty four flat tires all at once by unscrewing the valves in the tires of her Volkswagen; the stonesâ
(!!!!!!! no no no no no !!!!!!!)
âbut now there was no denying the memory, no more than there could be a denying of the monthly flow, and that memory was not cloudy, no, not
that
one; it was harsh and brilliant, like jagged strokes of lightning: the little girl
(momma stop momma don't i can't breathe o my throat o momma i'm sorry i looked momma o my tongue blood in my mouth)
the poor little girl
(screaming: little slut o i know how it is with you i see what has to be done)
the poor little girl lying half in the closet and half out of it, seeing black stars dancing in front of everything, a sweet, faraway buzzing, swollen tongue lolling between her lips, throat circled with a bracelet of puffed, abraded flesh where Momma had throttled her and then Momma coming back, coming for her, Momma holding Daddy Ralph's long butcher knife
(cut it out i have to cut out the evil the nastiness sins of the flesh o i know about that the eyes cut out your eyes)
in her right hand, Momma's face twisted and working, drool on her chin, holding Daddy Ralph's Bible in her other hand
(you'll never look at that naked wickedness again)
and something flexed, not flex but
FLEX,
something huge and unformed and titanic, a wellspring of power that was not hers now and never would be again and then something fell on the roof and Momma screamed and dropped Daddy Ralph's Bible and that was
good,
and then more bumps and thumps and then the house began to throw its furnishings around and Momma dropped the knife and got on her knees and began to pray, holding up her hands and swaying on her knees while chairs whistled down the hall and the beds upstairs fell over and the dining room table tried to jam itself through a window and then Momma's eyes growing huge and crazed, bulging, her finger pointing at the little girl
(it's you it's you devilspawn witch imp of the devil it's
you
doing it)
and then the stones and Momma had fainted as their roof cracked and thumped as if with the footfalls of God and thenâ
Then she had fainted herself. And after that there were no more memories. Momma did not speak of it. The butcher knife was back in its drawer. Momma dressed the huge black and blue bruises on her neck and Carrie thought she could remember asking Momma how she had gotten them and Momma tightening her lips and saying nothing. Little by little it was forgotten. The eye of memory opened only in dreams. The pictures no longer danced on the walls. The windows did not shut themselves. Carrie did not remember a time when things had been different. Not until now.
She lay on her bed, looking at the ceiling, sweating.
âCarrie! Supper!â
âThank you,
(i am not afraid)
Momma.â
She got up and fixed her hair with a dark-blue headband. Then she went downstairs.
From
The Shadow Exploded
(p. 59):
How apparent was Carrie's
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