Blockade Billy
Oh my God, you mean Blockade Billy. Nobody’s asked me about him in years. Of course, no one asks me much of anything in here, except if I’d like to sign up for Polka Night at the K of P Hall downtown or something called Virtual Bowling. That’s right here in the Common Room. My advice to you, Mr. King—you didn’t ask for it, but I’ll give it to you—is don’t get old, and if you do, don’t let your relatives put you in a zombie hotel like this one.
    It’s a funny thing, getting old. When you’re young, people always want to listen to your stories, especially if you were in pro baseball. But when you’re young, you don’t have time to tell them. Now I’ve got all the time in the world, and it seems like nobody cares about those old days. But I still like to think about them. So sure, I’ll tell you about Billy Blakely. Awful story, of course, but those are the ones that last the longest.
    Baseball was different in those days. You have to remember that Blockade Billy played for the Titans only ten years after Jackie Robinson broke the color barrier, and the Titans are long gone. I don’t suppose New Jersey will ever have another Major League team, not with two powerhouse franchises just across the river in New York. But it was a big deal then—
we
were a big deal—and we played our games in a different world.
    The rules were the same. Those don’t change. And the little rituals were pretty similar, too. Oh, nobody would have been allowed to wear their cap cocked to the side, or curve the brim, and your hair had to be neat and short (the way these chuckleheads wear it now, my God), but some players still crossed themselves before they stepped into the box, or drew in the dirt with the heads of their bats before taking up the stance, or jumped over the baseline when they were running out to take their positions. Nobody wanted to step on the baseline, it was considered the worst luck to do that.
    The game was
local
, okay? TV had started to come in, but only on the weekends. We had a good market, because the games were on WNJ, and everyone in New York could watch. Some of those broadcasts were pretty comical. Compared to the way they do today’s games, it was all amateur night in Dixie. Radio was better, more professional, but of course that was local, too. No satellite broadcasts, because there were no satellites! The Russians sent the first one up during the Yanks-Braves World Series that year. As I remember, it happened on an off-day, but I could be wrong about that. What I remember is that the Titans were out of it early that year. We contended for awhile, partly thanks to Blockade Billy, but you know how
that
turned out. It’s why you came, right?
    But here’s what I’m getting at: because the game was smaller on the national stage, the players weren’t such a big deal. I’m not saying there weren’t stars—guys like Aaron, Burdette, Williams, Kaline, and of course The Mick—but most weren’t as well-known coast to coast as players like Alex Rodriguez and Barry Bonds (a couple of bushers, if you ask me). And most of the other guys? I can tell you in two words: working stiffs. The average salary back then was fifteen grand, less than a first-year high school teacher makes today.
    Working stiffs, get it? Just like George Will said in that book of his. Only he talked about that like it was a good thing. I’m not so sure it was, if you were a thirty-year-old shortstop with a wife and three kids and maybe another seven years to go before retirement. Ten, if you were lucky and didn’t get hurt. Carl Furillo ended up installing elevators in the World Trade Center and moonlighting as a night watchman, did you know that? You did? Do you think that guy Will knew it, or just forgot to mention it?
    The deal was this: if you had the skills and could do the job even with a hangover, you got to play. If you couldn’t, you got tossed on the scrapheap. It was that simple. And as brutal. Which brings me to

Similar Books

Sweet Charity

M McInerney

The Curve Ball

J. S. Scott

Cataract City

Craig Davidson

Out of the Blue

Sarah Ellis

Ghostwalker

Erik Scott de Bie