drawers; on the rail inside the left door were forty ties. At his father's knee he had first learned the words of the song and the lilt of its tune.
The suit he took from its hanger was expensive but not ostentatiously priced in the shop overlooking the waters and the needle fountain of the Inner Alster.
The shirt had been bought for him by Alicia in the Monckebergstrasse, where she liked to go, where the Bear accompanied her. The tie had been a present from the girls for his last birthday, his fifty-third. What he would wear that evening had quiet class, he thought, but would not have cost as much as what would be worn by any of the three men who would entertain him for the concert and then for business over a late dinner. They were bankers: they could show the finery and demonstrate the wealth of their profession . . . Timo Rahman, and it was the basic rule of his life, never courted attention. The mirror, on the right door of the wardrobe, as his song died from its peak, reflected his body. In the flesh at the side of his chest was a puckered, still angry scar, the width of a pencil, the result of a .22-calibre bullet. On his muscled belly, near his navel, was a second scar, five centimetres in length, where a knife had slashed but had not penetrated the stomach wall. That evening the bankers would see neither the bullet nor the knife wound. They were from many years back. It was eighteen years since Timo Rahman had left his father, left the mountains north of Lake Shkodra, and had been one more Albanian making the trek to the German city of Hamburg in search of success. He had found it. The evidence of it was that he would be the guest of three bankers for a concert at the City Hall and would be taken to the Fischerhaus, a private room, for dinner, where they would scrabble for his investment cash. The days when he had fought were long past. Success was his.
Timo Rahman was the pate of Hamburg. At police headquarters, far out to the north of the city at Bruno-Georges-Platz 1, they would refuse to accept the presence of a godfather in the city. But he ruled it: the city was his.
As he dressed, the girls came to him, brought by their mother. They chattered to him of their day at school, in Blankenese, and what they would be doing the next day. They could have walked to school from the villa, but that argument was long over. They did not walk the five hundred metres to the school with their friends: they were driven by the Bear. It was his rule, and beyond dispute. Their mother, Alicia, knew it but the girls did not. A man of Timo Rahman's prominence in the world of organized crime had many enemies. They drove to school, and the Bear was always armed - and the pistol, listed as being for target practice, was legally held.
The girls had holidayed in Albania, his country and Alicia's, but they would grow up as Germans
and would know nothing of the source of their loving father's wealth. They chattered about school outings, sports events and music lessons. He was straightening his tie, listening to them and indulging them, and he turned.
Both the girls had their backs to the picture on the dressing-room wall.
They never noticed it now, had not spoken of it since they were small.
He looked past them, listening to them but without attention. Timo Rahman could have bought any painting in any gallery in the city of Hamburg. Financially, no work of art, oils or watercolour, was beyond him.
On the wall behind the girls, in his dressing room, was the picture of which he was most proud. Once black and white, now sepia-tinted, with little tears at the sides and a line across it diagonally where it had once been crudely folded, it had written on it in faded writing in the English language: 'For Mehmet Rahman, A worthy comrade in arms and a most loyal friend, Affectionately, Hugo Anstruther. (Lake Shkodra, April 1945)'. It showed a hillside and a cave and in the foreground was a smoking fire with a cooking tin on it. Three men
Alice Brown
Alexis D. Craig
Kels Barnholdt
Marilyn French
Jinni James
Guy Vanderhaeghe
Steven F. Havill
William McIlvanney
Carole Mortimer
Tamara Thorne