explained to her brother, which earned her the right to eat in a hotel that numbered among its guests millionaires, European nobility, and the stars of stage and screen.
Later, they took in all the city’s tourist sights, saw Radio City Music Hall and the high-kicking Rockettes for whom they harboured a mild contempt as frivolous women who did not appreciate the seriousness of war and the sacrifices it demanded. They went to the top of the Empire State Building and then uptown to see Grant’s Tomb.
These were the things she wrote to Earl, to mark the changes in her. There were other things of which Vera was scarcely aware and, if she had been, could not have written of to a brother.
Old friends like Phyllis and Mabel might have thought that life in the Army had led to a deterioration in her manners and turned her just a tiny bit vulgar and unladylike. They would certainly be alarmed to see the way she drank beer, straight out of the bottle rather than a glass, and how, when she was tight, she would rise unsteadily to her feet and say loudly, in mixed company, “Make way, boys, this lady’s got to tinkle.”
Somehow, too, the promises which Vera had made to herself to improve her mind had been neglected. She only glanced at the war news in the papers and had given up attempts to read books in the barracks during the evenings. The hubbub there was too distracting, her attention snagged on bits of camp gossip and talk of men. Most evenings she spent playing cribbage with a homesick recruit from Newfoundland who cried in the shower, believing tears couldn’t be detected in the midst of all that streaming water. But as the case of that girl proved, Vera was learning it was impossible to hide anything in the Army, or hide from anything. Like sex. She was getting sick and tired of being importuned and bothered by soldiers. The young ones were no better than beggars, all beseechingmouths and beseeching hands. They fumbled at you on the dance floor and in ill-lit doorways. What was worse, they struck sentimental poses and talked of dying because their bragging, lying friends told them that never failed to produce the desired result. To Vera it was exasperating and wearying, fending off this desperate stroking and fondling. They were nice enough boys but fools. Couldn’t they see that all this talk of death sounded ridiculous standing under a lamppost in Kitchener?
If you steered clear of the young heroes, that left only the tough rinds and peels, the vets of the Great War who had reenlisted, been judged unfit for active service, and assigned duties as drill and gunnery instructors. Vera preferred them to the boys. They were more patient and charmingly persistent. A number of times when she had drunk too much Vera had permitted them liberties. For none of these old men did she feel an individual passion but at certain times she was aroused to an impersonal excitement when a hand crept to a stocking top, or closed on her breast, muffled in its khaki tunic. Eyes pressed tightly closed, she would ask herself, Why not? Why not find out? Why not get it over with? But she didn’t. Vera was put off by the element of struggle in it all, by their I win, you lose attitude, by the feeling they wanted to take her, to have her. That was the one satisfaction they would never get.
Not surprisingly, none of this found its way into her letters to Earl. The picture she drew of herself was incomplete. In reality, the correspondence of Vera and her brother was the correspondence of shadows, a record of one memory speaking to another, of two people who grew dimmer and dimmer as the months became years and the memories grew more unreliable. Their father was the wall upon which the shadows met. Because Vera knew he read her letters to Earl, she could never ask the questions that plagued her. How is he treating you, Earl? Are things better now that I’m out of his hair? Earl, are you happy? She had to rely on what she could divine from the notes
Later, they took in all the city’s tourist sights, saw Radio City Music Hall and the high-kicking Rockettes for whom they harboured a mild contempt as frivolous women who did not appreciate the seriousness of war and the sacrifices it demanded. They went to the top of the Empire State Building and then uptown to see Grant’s Tomb.
These were the things she wrote to Earl, to mark the changes in her. There were other things of which Vera was scarcely aware and, if she had been, could not have written of to a brother.
Old friends like Phyllis and Mabel might have thought that life in the Army had led to a deterioration in her manners and turned her just a tiny bit vulgar and unladylike. They would certainly be alarmed to see the way she drank beer, straight out of the bottle rather than a glass, and how, when she was tight, she would rise unsteadily to her feet and say loudly, in mixed company, “Make way, boys, this lady’s got to tinkle.”
Somehow, too, the promises which Vera had made to herself to improve her mind had been neglected. She only glanced at the war news in the papers and had given up attempts to read books in the barracks during the evenings. The hubbub there was too distracting, her attention snagged on bits of camp gossip and talk of men. Most evenings she spent playing cribbage with a homesick recruit from Newfoundland who cried in the shower, believing tears couldn’t be detected in the midst of all that streaming water. But as the case of that girl proved, Vera was learning it was impossible to hide anything in the Army, or hide from anything. Like sex. She was getting sick and tired of being importuned and bothered by soldiers. The young ones were no better than beggars, all beseechingmouths and beseeching hands. They fumbled at you on the dance floor and in ill-lit doorways. What was worse, they struck sentimental poses and talked of dying because their bragging, lying friends told them that never failed to produce the desired result. To Vera it was exasperating and wearying, fending off this desperate stroking and fondling. They were nice enough boys but fools. Couldn’t they see that all this talk of death sounded ridiculous standing under a lamppost in Kitchener?
If you steered clear of the young heroes, that left only the tough rinds and peels, the vets of the Great War who had reenlisted, been judged unfit for active service, and assigned duties as drill and gunnery instructors. Vera preferred them to the boys. They were more patient and charmingly persistent. A number of times when she had drunk too much Vera had permitted them liberties. For none of these old men did she feel an individual passion but at certain times she was aroused to an impersonal excitement when a hand crept to a stocking top, or closed on her breast, muffled in its khaki tunic. Eyes pressed tightly closed, she would ask herself, Why not? Why not find out? Why not get it over with? But she didn’t. Vera was put off by the element of struggle in it all, by their I win, you lose attitude, by the feeling they wanted to take her, to have her. That was the one satisfaction they would never get.
Not surprisingly, none of this found its way into her letters to Earl. The picture she drew of herself was incomplete. In reality, the correspondence of Vera and her brother was the correspondence of shadows, a record of one memory speaking to another, of two people who grew dimmer and dimmer as the months became years and the memories grew more unreliable. Their father was the wall upon which the shadows met. Because Vera knew he read her letters to Earl, she could never ask the questions that plagued her. How is he treating you, Earl? Are things better now that I’m out of his hair? Earl, are you happy? She had to rely on what she could divine from the notes
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