walk that went with his eternal smile and the little mustache he was so proud of, Andrija killed in central Bosnia near Vitez was reincarnated in the damp cold dawn of a café in Venice, a proletarian café by the lagoon not far from the romantic island cemetery of San Michele—Stravinsky, Diaghilev, Ezra Pound the old madman—which I hadn’t deemed it wise yet to visit, Andrija’s absence, I was probably looking for a replacement for him, a substitute in the great solitary boredom of La Serenissima: Ghassan lived a stone’s throw away in a damp dark apartment that he shared with his cousin head waiter at a luxury hotel Riva degli Schiavoni, that morning we had coffee side by side without exchanging a word, at least that’s what I remember, maybe our countless breakfasts at dawn in the course of the months that followed are superimposed over that first meeting, I forget at what instant exactly I spoke to Ghassan for the first time, I don’t think our friendship was immediate, as they say, in the yellowish lighting of the Piacenza station and the air-conditioning of the train that keeps me from smelling his factory odor, friendship or camaraderie needs time, experience, and if in love the union of bodies gives each the illusion of profound knowledge of the other, so the effluvia of fighters, their sweat and their blood, gives the illusion of intimacy, Ghassan and I observed each other for a long time without sharing anything, despite (or maybe because of) the similarity of our personal stories, the strange points in common that were immediately guessed, the empathy and the resemblance, real or imagined, with Andrija and his mustache, just as in this overheated train I don’t speak to my neighbor, despite the points of contact that could link our existences together, of which this motionless journey is an example, what is he going to discover, where will he get out, Bologna, Florence, or Rome, he looks like he’s bored stiff, his Pronto in his hand, he too is looking out the window Piacenza is fading away and the industrial zone is starting up its intermittent lights, which the night of this flat fertile countryside hides from us at the border of Emilia, crossed by the train—soon Ghassan will be forty, if he’s still alive despite the recent avalanche of corpses in Beirut: did he become one of the bodyguards for Elie Hobeika or some obscure Christian second-in-command, did he take up the weapons he had abandoned in 1991, fleeing the arrival of the Syrian Great Brother in his corner of the mountains, who knows, I left Ghassan when I left Venice, and afterwards, in Trieste or during one of my trips to Beirut on business as they say, I didn’t seek him out, he had told me though where his family lived, right in the middle of the hill of Achrafieh that overlooks the eastern side of the city, he had said that from the roof of his building you could see the sea, much bluer than in Venice, much more sea-like than that interminably flat lagoon: the eastern Mediterranean its colors marked by the seasons like a tree, from grey to turquoise, beneath the immense sky of Lebanon that the mountains make even vaster by limiting it, in the reflections of the summits, Ghassan vanished like Andrija, finally disappeared in his turn and maybe helped by age didn’t I try to replace him too, to fill the void left by the end of that cold friendship that began in a bar at dawn facing the island of San Michele the floating cemetery of Venice with its corner for foreigners, we saw each other every morning or almost at daybreak, Ghassan was emerging from his factory of fertilizers or God knows what putrid residue and I from my nocturnal wanderings, a way to escape the woman who had joined me in Venice whom I no longer wanted to see, I think, unless the opposite was true, she obstinately refused to go to bed with me arguing that Venice made her depressed, which was probably true, she was always cold, she didn’t eat much, but today I realize
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