occurred to me that black people could treat Luna and me with anything but warmth and concern. Even their curiosity about the sudden influx into their midst of rather ignorant white and black Northerners was restrained and courteous. I was treated as a relative, Luna as a much welcomed guest.
Luna and I were taken in by a middle-aged couple and their young school-age daughter. The mother worked outside the house in a local canning factory, the father worked in the paper plant in nearby Augusta. Never did they speak of the danger they were in of losing their jobs over keeping us, and never did their small daughter show any fear that her house might be attacked by racists because we were there. Again, I did not expect this family to complain, no matter what happened to them because of us. Having understood the danger, they had assumed the risk. I did not think them particularly brave, merely typical.
I think Luna liked the smallness—only four rooms—of the house. It was in this house that she ridiculed her mother’s lack of taste. Her yellow-and-mauve house in Cleveland, the eleven rooms, the heated garage, the new car every year, her father’s inability to remain faithful to her mother, their divorce, the fight over the property, even more bitter than over the children. Her mother kept the house and the children. Her father kept the car and his new girlfriend, whom he wanted Luna to meet and “approve.” I could hardly imagine anyone disliking her mother so much. Everything Luna hated in her she summed up in three words: “yellow and mauve.”
I have a second photograph of Luna and a group of us being bullied by a Georgia state trooper. This member of Georgia’s finest had followed us out into the deserted countryside to lecture us on how misplaced—in the South—was our energy, when “the Lord knew” the North (where he thought all of us lived, expressing disbelief that most of us were Georgians) was just as bad. (He had a point that I recognized even then, but it did not seem the point where we were.) Luna is looking up at him, her mouth slightly open as always, a somewhat dazed look on her face. I cannot detect fear on any of our faces, though we were all afraid. After all, 1965 was only a year after 1964 when three civil rights workers had been taken deep into a Mississippi forest by local officials and sadistically tortured and murdered. Luna almost always carried a flat black shoulder bag. She is standing with it against her side, her thumb in the strap.
At night we slept in the same bed. We talked about our schools, lovers, girlfriends we didn’t understand or missed. She dreamed, she said, of going to Goa. I dreamed of going to Africa. My dream came true earlier than hers: an offer of a grant from an unsuspected source reached me one day as I was writing poems under a tree. I left Freehold, Georgia, in the middle of summer, without regrets, and flew from New York to London, to Cairo, to Kenya, and, finally, to Uganda, where I settled among black people with the same assumptions of welcome and kindness I had taken for granted in Georgia. I was taken on rides down the Nile as a matter of course, and accepted all invitations to dinner, where the best local dishes were superbly prepared in my honor. I became, in fact, a lost relative of the people, whose ancestors had foolishly strayed, long ago, to America.
I wrote to Luna at once.
But I did not see her again for almost a year. I had graduated from college, moved into a borrowed apartment in Brooklyn Heights, and was being evicted after a month. Luna, living then in a tenement on East 9th Street, invited me to share her two-bedroom apartment. If I had seen the apartment before the day I moved in I might never have agreed to do so. Her building was between Avenues B and C and did not have a front door. Junkies, winos, and others often wandered in during the night (and occasionally during the day) to sleep underneath the stairs or to relieve themselves at
Varian Krylov
Violet Williams
Bailey Bradford
Clarissa Ross
Valerie K. Nelson
David Handler
Nadia Lee
Jenny Harper
Jonathan Kellerman
Rebecca Brooke, Brandy L Rivers