against the strap of the wheeled chair. Bettina at the window, staring.
âTwenty-three,â Dr. Brightman says.
âTwenty-three what?â
âTwenty-three days since admission. Four hours out of the infirmary. How are we doing?â
I say nothing. I am not well. He must release me.
âNervous breakdown and delusions,â he says, reading from the chart. âMrs. Rane?â
âYes?â
âHow are we doing?â
âDr. Brightman,â I say.
âYes?â
âIâm Emmy Rane.â
âThat is correct.â
âThereâs been a mistake. I should not be here.â
I comb my fingers through my hair to make it neat. I fix the string tie at my neck and sit up proper. If he sees who I am, he will release me. If he understands. Any mother would cry for the want of her baby. Any woman would hate Peter with all her might. Dr. Brightman moves a stack of papers onto another stack of papers. He fiddles around in his shirt pocket, and now here is a pair of horned-rim glasses. Dr. Brightman is an ugly man. His hair is the wrong color. His hair is painted.
âYouâre having trouble settling in?â he asks.
âExcuse me?â
âYouâve had an episode?â he says. âAccording to Bettina?â
âIâm fine.â
âYou are not fine.â
âOf course, sir, I am not fine. Someone is out there with my baby.â
âGrave inconsistencies,â he says. And then he writes it down.
He wears a watch, its face like the moon. He scratches his forehead with a sausage finger. Outside, beyond the office door, someone is screaming. On the freedom side of the window, the sun is crinkling. âPerhaps we were premature,â he says, âin releasing you from the infirmary. Do you think you need more time, Mrs. Rane, in the hospital environment?â
âI do not,â I say. âI do not need any more time here at all. What I need is to go find my baby.â I pull at the chairâs leather strap with my one good hand. I kick at the chair with my casted foot. I think about Autumn, crying when they piled me into the chair, when they leather-strapped me to it. âDonât do it,â she was saying. âDonât take her. I can save her.â How much time has gone by? Who has been watching? Who is out there, in the woods, on the streets, in the alleys, behind the trees, looking for my baby?
âBettina?â
âDr. Brightman?â
âIâm recommending the cleanse.â
âThe cleanse, sir?â
âThe cleanse,â he repeats. âAnd weâll resume the lorazepam. Weâll see if that helps, before we return her to infirmary.â
âSir.â
âMrs. Rane,â he says, speaking now to me. âThis is a team effort. We are at work on your behalf.â
âSomeone has my Baby.â I say it quiet. I say it without kicking. I do not pull at the leather strap. I am well. I have my reason.
âIâll write a scrip,â he says. âSend it to the pharmacy.â
Sophie
The minute she drags herself across the walk and chuffs down the street, Iâm goneâthe door slamming behind me, my feet on the slate, my fist against the Ruddsâ door, pounding.
âWhat is it, love?â Miss Cloris asks, stepping back, as if I might keep pounding, door or not, even if Harveyâs home, prowling, protecting.
âI was just wondering,â I say, âif you could use a visit.â Beside Miss Cloris, Harvey goes up on his back feet like a dancer, then flops back down. He looks me straight in the eyes, lets his tongue fall loose.
âWe could always use a visit,â Miss Cloris says. She wears a striped shirt, the purple and red stretching longwise, over a pair of nubby stretch pants. Thereâs a belt around the barrel of her waistâthin and silver-glittered.
âCan I come in, then?â
âYou can.â
âThank you,
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