hall, only without pictures, having only the functional furniture necessary for servants' use. Presumably he had gone to consult some higher authority, perhaps even that autocrat of below-stairs—and sometimes above—the butler. It was several minutes before he returned, and motioned Monk to go with him.
"Lady Shelburne will see you in half an hour." He left Monk in a small parlor adjacent to the housekeeper's room, a suitable place for such persons as policemen; not precisely servants or tradesmen, and most certainly not to be considered as of quality.
Monk walked slowly around the room after the footman had gone, looking at the worn furniture, brown upholstered chairs with bow legs and an oak sideboard
and table. The walls were papered and fading, the pictures anonymous and rather puritan reminders of rank and the virtues of duty. He preferred the wet grass and heavy trees sloping down to ornamental water beyond the window.
He wondered what manner of woman she was who could control her curiosity for thirty long minutes rather than let her dignity falter in front of a social inferior. Lamb had said nothing about her. Was it likely he had not even seen her? The more he considered it, the more certain he became. Lady Shelburne would not direct her inquiries through a mere employee, and there had been no cause to question her in anything.
But Monk wanted to question her; if Grey had been killed by a man who hated him, not a maniac in the sense of someone without reason, only insofar as he had allowed a passion to outgrow control until it had finally exploded in murder, then it was imperative Monk learn to know Grey better. Intentionally or not, Grey's mother would surely betray something of him, some honesty through the memories and the grief, that would give color to the outline.
He had had time to think a lot about Grey and formulate questions in his mind by the time the footman returned and conducted him through the green baize door and across the corridor to Lady Fabia's sitting room. It was decorated discreetly with deep pink velvet and rosewood furniture. Lady Fabia herself was seated on a Louis Quinze sofa and when Monk saw her all his preconceptions fled his tongue. She was not very big, but as hard and fragile as porcelain, her coloring perfect, not a blemish on her skin, not a soft, fair hair out of place. Her features were regular, her blue eyes wide, only a slightly jutting chin spoiled the delicacy of her face. And she was perhaps too thin; slen-derness had given way to angularity. She was dressed in violet and black, as became someone in mourning, although on her it looked more like something to be observed for one's own dignity than any sign of distress. There was nothing frail in her manner.
"Good morning," she said briskly, dismissing the footman with a wave of her hand. She did not regard Monk with any particular interest and her eyes barely glanced at his face. "You may sit if you wish. I am told you have come to report to me the progress you have made in discovering and apprehending the murderer of my son. Pray proceed."
Opposite him Lady Fabia sat, her back ramrod-straight from years of obedience to governesses, walking as a child with a book on her head for deportment, and riding upright in a sidesaddle in the park or to hounds. There was little Monk could do but obey, sitting reluctantly on one of the ornate chairs and feeling self-conscious.
"Well?" she demanded when he remained silent. "The watch your constable brought was not my son's."
Monk was stung by her tone, by her almost unthinking assumption of superiority. In the past he must have been used to this, but he could not remember; and now it stung with the shallow sharpness of gravel rash, not a wound but a blistering abrasion. A memory of Beth's gentleness came to his mind. She would not have resented this. What was the difference between them? Why did he not have her soft Northumbrian accent? Had he eradicated it intentionally, washing
"Lady Shelburne will see you in half an hour." He left Monk in a small parlor adjacent to the housekeeper's room, a suitable place for such persons as policemen; not precisely servants or tradesmen, and most certainly not to be considered as of quality.
Monk walked slowly around the room after the footman had gone, looking at the worn furniture, brown upholstered chairs with bow legs and an oak sideboard
and table. The walls were papered and fading, the pictures anonymous and rather puritan reminders of rank and the virtues of duty. He preferred the wet grass and heavy trees sloping down to ornamental water beyond the window.
He wondered what manner of woman she was who could control her curiosity for thirty long minutes rather than let her dignity falter in front of a social inferior. Lamb had said nothing about her. Was it likely he had not even seen her? The more he considered it, the more certain he became. Lady Shelburne would not direct her inquiries through a mere employee, and there had been no cause to question her in anything.
But Monk wanted to question her; if Grey had been killed by a man who hated him, not a maniac in the sense of someone without reason, only insofar as he had allowed a passion to outgrow control until it had finally exploded in murder, then it was imperative Monk learn to know Grey better. Intentionally or not, Grey's mother would surely betray something of him, some honesty through the memories and the grief, that would give color to the outline.
He had had time to think a lot about Grey and formulate questions in his mind by the time the footman returned and conducted him through the green baize door and across the corridor to Lady Fabia's sitting room. It was decorated discreetly with deep pink velvet and rosewood furniture. Lady Fabia herself was seated on a Louis Quinze sofa and when Monk saw her all his preconceptions fled his tongue. She was not very big, but as hard and fragile as porcelain, her coloring perfect, not a blemish on her skin, not a soft, fair hair out of place. Her features were regular, her blue eyes wide, only a slightly jutting chin spoiled the delicacy of her face. And she was perhaps too thin; slen-derness had given way to angularity. She was dressed in violet and black, as became someone in mourning, although on her it looked more like something to be observed for one's own dignity than any sign of distress. There was nothing frail in her manner.
"Good morning," she said briskly, dismissing the footman with a wave of her hand. She did not regard Monk with any particular interest and her eyes barely glanced at his face. "You may sit if you wish. I am told you have come to report to me the progress you have made in discovering and apprehending the murderer of my son. Pray proceed."
Opposite him Lady Fabia sat, her back ramrod-straight from years of obedience to governesses, walking as a child with a book on her head for deportment, and riding upright in a sidesaddle in the park or to hounds. There was little Monk could do but obey, sitting reluctantly on one of the ornate chairs and feeling self-conscious.
"Well?" she demanded when he remained silent. "The watch your constable brought was not my son's."
Monk was stung by her tone, by her almost unthinking assumption of superiority. In the past he must have been used to this, but he could not remember; and now it stung with the shallow sharpness of gravel rash, not a wound but a blistering abrasion. A memory of Beth's gentleness came to his mind. She would not have resented this. What was the difference between them? Why did he not have her soft Northumbrian accent? Had he eradicated it intentionally, washing
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