Why People Believe Weird Things: Pseudoscience, Superstition, and Other Confusions of Our Time
purpose. This is not a criticism, just an observation. Artists do not improve upon the styles of their predecessors; they invent new styles. Priests, rabbis, and ministers do not attempt to improve upon the sayings of their masters; they repeat, interpret, and teach them. Pseudoscientists do not correct the errors of their predecessors; they perpetuate them.
    By cumulative change I mean, then, that when a paradigm shifts, scientists do not abandon the entire science. Rather, what remains useful in the paradigm is retained as new features are added and new interpretations given. Albert Einstein emphasized this point in reflecting upon his own contributions to physics and cosmology: "Creating a new theory is not like destroying an old barn and erecting a skyscraper in its place. It is rather like climbing a mountain, gaining new and wider views, discovering unexpected connections between our starting point and its rich environment. But the point from which we started out still exists and can be seen, although it appears smaller and forms a tiny part of our broad view gained by the mastery of the obstacles on our adventurous way up" (in Weaver 1987, p. 133). Even though Darwin replaced the theory of special creation with that of evolution by natural selection, much of what came before was retained in the new theory—Linnean classification, descriptive geology, comparative anatomy, and so forth. What changed was how these various fields were linked to one another through history—the theory of evolution. There was cumulative growth and paradigmatic change. This is scientific progress, defined as the cumulative growth of a system of knowledge - over time, in which useful features are retained and nonuseful features are abandoned, based on the rejection or confirmation of testable knowledge.
    The Triumph of Science
    Though I have defined science as progressive, I admit it is not possible to know whether the knowledge uncovered by the scientific method is absolutely certain because we have no place outside—no Archimedean point—from which to view Reality. There is no question but that science is heavily influenced by the culture in which it is embedded, and that scientists may all share a common bias that leads them to think a certain way about nature. But this does not take anything away from the progressive feature of science, in the cumulative sense.
    In this regard, philosopher Sydney Hook makes an interesting comparison between the arts and sciences: "Raphael's Sistine Madonna without Raphael, Beethoven's sonatas and symphonies without Beethoven, are inconceivable. In science, on the other hand, it is quite probable that most of the achievements of any given scientist would have been attained by other individuals working in the field" (1943, p. 35). The reason for this is that science, with progress as one of its primary goals, seeks understanding through objective methods (even though it rarely attains it). The arts seek provocation of emotion and reflection through subjective means. The more subjective the endeavor, the more individual it becomes, and therefore difficult if not impossible for someone else to produce. The more objective the pursuit, the more likely it is that someone else will duplicate the achievement. Science actually depends upon duplication for verification. Darwin's theory of natural selection would have occurred to another scientist—and, in fact, did occur to Alfred Russel Wallace simultaneously—because the scientific process is empirically verifiable.
    In the Industrial West, the emphasis on scientific and technological progress has affected Western cultures deeply—so much so that we now define a culture as progressive if it encourages the development of science and technology. In science, useful features are retained and nonuseful features are abandoned through the confirmation or rejection of testable knowledge by the community of scientists. The scientific method, in this way, is

Similar Books

The World Beyond

Sangeeta Bhargava

Poor World

Sherwood Smith

Vegas Vengeance

Randy Wayne White

Once Upon a Crime

Jimmy Cryans