something I want to talk to you about,â she says with her back to me.
âNo more jokes, please.â
With the flick of a spoon, Agnes opens a tin of hot chocolate and turns to face me. âItâs a business proposal.â
âWhat do you mean?â
âIâll explain in a minute.â She washes her hands.
What kind of business proposal could she possibly have for me? I search her face for clues but her small, sharp eyes betray nothing. I stare at her nose: thin, straight, patrician. I count three freckles under her left eye. Small, elfin ears that stick out in the most endearing way. Sheâs not bad looking. You might even say she looks kind of exotic, like a pale, blue-eyed Eskimo. But most of the time she looks so severe. I guess it all depends on the angle. Like a hologram, sheâs pretty one minute and ugly the next. Like that French term: jolie laide . Pretty ugly. Not pretty gorgeous, but pretty in an odd, interesting way. Sheâs the antithesis of Maddyâs classic, universal beauty.
Agnes sets a cup of hot tea in front of me, then goes down to the basement.
She returns with the portrait I drew of Maddy.
âWhereâd you get that?â I ask.
âFrom your room. I noticed it on your dresser when I was vacuuming the dust under your bed.â She sighs. âItâs exquisite. You really do have talent, Sarah. You captured a side of Maddy that I rarely get to see.â Agnes pulls out a chair and sits down. âI want to buy this from you.â
I rub my brow. âAre you kidding?â
âHow much do you want for it?â
âItâs homework, Agnes. Itâs not for sale.â
âEverythingâs for sale. You shouldâve learned that by now.â
âWell, this isnât, so give it back. I have to turn it in tomorrow.â
âI thought you were supposed to do a self-portrait.â
âI was, but Maddy came in and asked me to draw her instead.â
âSo, technically, this isnât your assignment.â
âNo, but itâs all Iâve got so Iâm turning it in.â
âIâll give you five hundred dollars for it.â
What? Sheâs out of her mind. Five hundred dollars for a stupid sketch? I shake my head.
âWhy not? You can draw yourself another one before class. You still have time.â
âBut I donât want to draw another one,â I say, irritated.
âHow about a thousand?â
âYouâre crazy.â
âIs that a yes?â
âNo!â
âLook, I know a thousand dollars isnât a big deal, but itâs extra cash and you might need it this weekend when we go up to Cornell.â She exhales. âTake it.â
I think of the forty-two dollars I have left in my account. Iâm tempted, but I canât take Agnesâs money. Iâm already living in her house for free and there is such a thing as pride.
âWhy do you want the drawing so much?â I ask her.
She doesnât answer. A second later, I hear a sizzling sound.
âShoot,â Agnes says, jumping out of her seat. The milk she was heating is now bubbling over the edge of the saucepan. Agnes puts the saucepan in the sink and begins a vigorous cleaning of the stove top.
I look at the portrait. Itâs actually pretty good. Thereâs something about it that makes me want to keep looking at it. Iâm surprised I was even able to finish it, what with the I-think-Sebastian-is-cheating-on-me bomb Maddy dropped on me. I was trying to capture Maddyâs essence, as corny as that sounds. Looking at her, I saw big eyesâalmost too big for her delicate, heart-shaped faceâand a perfect button nose, and pouty, pink lips. Her beauty was overwhelming, but strangely, I couldnât connect with it. It was like looking at a beautiful mask; I felt nothing. But I started drawing anyway. I drew her head and her eyebrows and her eyes. And thatâs when I saw
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