Up in the Old Hotel (Vintage Classics)

Up in the Old Hotel (Vintage Classics) by Joseph Mitchell

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Authors: Joseph Mitchell
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and notes and letters and clippings and copies of obscure little magazines, a bottle of ink, a dictionary, a paper bag of cigarette butts, a paper bag of bread crumbs, and a paper bag of hard, round, dime-store candy of the type called sour balls. ‘I fight fatigue with sour balls,’ he says. The crumbs are for pigeons; like many other eccentrics, Gould is a pigeon feeder. He is devoted to a flock which makes its headquarters atop and around the statue of Garibaldi in Washington Square. These pigeons know him. When he comes up and takes a seat on the plinth of the statue, they flutter down and perch on his head and shoulders, waiting for him to bring out his bag of crumbs. He has given names to some of them. ‘Come here, Boss Tweed,’ he says. ‘A lady in Stewart’s Cafeteria didn’t finish her whole-wheat toast this morning and when she went out, bingo, I snatched it off her plate especially for you. Hello, Big Bosom. Hello, Popgut. Hello, Lady Astor. Hello, St John the Baptist. Hello, Polly Adler. Hello, Fiorello, you old goat, how’re you today?’
    Although Gould strives to give the impression that he is a philosophical loafer, he has done an immense amount of work during his career as a bohemian. Every day, even when he has a bad hangover or even when he is weak and listless from hunger, he spends at least a couple of hours working on a formless, rather mysterious book that he calls ‘An Oral History of Our Time.’ He began this book twenty-six years ago, and it is nowhere near finished. His preoccupation with it seems to be principally responsible for the way he lives; a steady job of any kind, he says, would interfere with his thinking. Depending on the weather, he writes in parks, in doorways, in flophouse lobbies, in cafeterias, on benches on elevated-railroad platforms, in subway trains, and in public libraries. When he is in the proper mood, he writes until he is exhausted, and he gets into this mood at peculiar times. He says that one night he sat for six or seven hours in a booth in a Third Avenue bar and grill, listening to a beery old Hungarian woman, once a madam and once a dealer in narcotics and now a soup cook in a city hospital, tell the story of her life. Three days later, around four o’clock in the morning, on a cot in the Hotel Defender, at 300 Bowery, he was awakened by the foghorns of tugs on the East River and was unable to go back to sleep because he felt that he was in the exact mood to put the old soup cook’s biography in his history. He has an abnormal memory; if he is sufficiently impressed by a conversation, he can keep it in his head, even if it is lengthy and senseless, for many days, much of it word for word. He had a bad cold, but he got up, dressed under a red exit light, and, tiptoeing so as not to disturb the men sleeping on cots all around him, went downstairs to the lobby.
    He wrote in the lobby from 4:15 A.M. until noon. Then he left the Defender, drank some coffee in a Bowery diner, and walked up to the Public Library. He plugged away at a table in the genealogy room, which is one of his rainy-day hangouts and which he says he prefers to the main reading room because it is gloomier, until it closed at 6 P.M. Then he moved into the main reading room and stayed there, seldom taking his eyes off his work, until the Library locked up for the night at 10 P.M. He ate a couple of egg sandwiches and a quantity of ketchup in a Times Square cafeteria. Then, not having two bits for a flophouse and being too engrossed to go to the Village and seek shelter, he hurried into the West Side subway and rode the balance of the night, scribbling ceaselessly while the train he was aboard made three round trips between the New Lots Avenue station in Brooklyn and the Van Cortlandt Park station in the Bronx, which is one of the longest runs in the subway system. He kept his portfolio on his lap and used it as a desk. He has the endurance of the possessed. Whenever he got too sleepy to

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