breath.
Tore took out her cell phone, put it in his pocket, and told Hjalmar to go out and fix her car.
“That’ll stop the bitch rooting around in my business,” Tore said as they drove off to town, passing the policewoman on her way to Anni’s.
Then they sent the text message to the policewoman’s daughter. It was dead easy to figure out the girl’s name from the saved texts.
They’ve found my body. Things should start happening now. Tore’s on a high, although he’s trying to disguise it. He wants to convince Hjalmar that all this was just a job that had to be done, merely another aspect of the firm’s business.
I can sense how Hjalmar’s mind is working. Knowing that Tore thrives in such situations. Not so much on the violence itself as on the threat of violence. Tore feeds off other people’s fear and impotence. It fills him with strength and a lust for work. Spurs him on to tidy up the cabs of the trucks, polishing everything with Cockpit Shine or changing the paper in the tachographs. Hjalmar is pretty much the opposite. Or used to be. He’s never understood the point of making threats; it’s always been Tore who’s looked after that side of things. But Hjalmar knows all about violence. Always assuming his opponent is someone to be reckoned with, preferably superior to himself.
That feeling of getting involved in a fight, perhaps against three opponents. The initial fear. Before the first punch has been delivered. Then the blood-red rage of fury. Unrestrained by thoughts or feelings other than the determination to survive, the desire to win. I was also a fighter until I moved to Piilijärvi and met Simon. I know the pleasure there is to be derived from fighting.
But Hjalmar only fought like that when he was young. It’s been a different matter since he became an adult.
Now he’s sighing deeply, as he only does when he’s alone. He’s standing up.
These days he indulges in violence with a sort of mechanical listlessness. Beating up some poor soul who owes money or has to be made to close down his business to reduce the competition, or making sure someone grants the necessary permission to set up a greasing pit, that sort of stuff.
Generally speaking, violence isn’t necessary. The brothers are known far and wide. People usually do as they’re told. But Inspector Anna-Maria Mella hasn’t allowed herself to be intimidated.
Now Hjalmar goes out onto his porch. It’s a Saturday evening. Still light outside. He checks Tore’s house: Tore and his wife are watching television. Hjalmar wonders if Tore has seen the news bulletin. No doubt Kerttu has helped Isak to sit up, pulled the tea cart over, and is feeding him spoonfuls of rose-hip soup and bread that has been dipped into it.
Hjalmar would love to go off into the forest. I can tell by looking at him. He’s gazing at the spruce trees along the edge of their plot like a chained-up dog. He has a little cottage at Saarisuanto on the banks of the River Kalix. I know about it. I bet that’s what he’s thinking about.
He likes the remoteness there. He loves to get away from people. I wonder if he’s always been like that. Or if it began after the incident.
There was an incident in the village. A story that’s told behind the brothers’ backs.
It is early in the morning of June 17, 1956. Hjalmar Krekula is preparing to drive the cows out to their summer pasture. That is one of the tasks he has to perform during the summer holidays. The farms within the village are fenced in, and the cows are sent into the forest during the day to graze. In the evening theynearly always come home of their own accord, udders bulging, to be milked. But sometimes Hjalmar Krekula has to go to get them. They are especially difficult to bring home toward the end of summer. When they have been eating mushrooms among the trees. It can take hours to find them. Mushrooms tend to make them behave oddly.
The boys’ mother is in the kitchen, making packed lunches to
Tore took out her cell phone, put it in his pocket, and told Hjalmar to go out and fix her car.
“That’ll stop the bitch rooting around in my business,” Tore said as they drove off to town, passing the policewoman on her way to Anni’s.
Then they sent the text message to the policewoman’s daughter. It was dead easy to figure out the girl’s name from the saved texts.
They’ve found my body. Things should start happening now. Tore’s on a high, although he’s trying to disguise it. He wants to convince Hjalmar that all this was just a job that had to be done, merely another aspect of the firm’s business.
I can sense how Hjalmar’s mind is working. Knowing that Tore thrives in such situations. Not so much on the violence itself as on the threat of violence. Tore feeds off other people’s fear and impotence. It fills him with strength and a lust for work. Spurs him on to tidy up the cabs of the trucks, polishing everything with Cockpit Shine or changing the paper in the tachographs. Hjalmar is pretty much the opposite. Or used to be. He’s never understood the point of making threats; it’s always been Tore who’s looked after that side of things. But Hjalmar knows all about violence. Always assuming his opponent is someone to be reckoned with, preferably superior to himself.
That feeling of getting involved in a fight, perhaps against three opponents. The initial fear. Before the first punch has been delivered. Then the blood-red rage of fury. Unrestrained by thoughts or feelings other than the determination to survive, the desire to win. I was also a fighter until I moved to Piilijärvi and met Simon. I know the pleasure there is to be derived from fighting.
But Hjalmar only fought like that when he was young. It’s been a different matter since he became an adult.
Now he’s sighing deeply, as he only does when he’s alone. He’s standing up.
These days he indulges in violence with a sort of mechanical listlessness. Beating up some poor soul who owes money or has to be made to close down his business to reduce the competition, or making sure someone grants the necessary permission to set up a greasing pit, that sort of stuff.
Generally speaking, violence isn’t necessary. The brothers are known far and wide. People usually do as they’re told. But Inspector Anna-Maria Mella hasn’t allowed herself to be intimidated.
Now Hjalmar goes out onto his porch. It’s a Saturday evening. Still light outside. He checks Tore’s house: Tore and his wife are watching television. Hjalmar wonders if Tore has seen the news bulletin. No doubt Kerttu has helped Isak to sit up, pulled the tea cart over, and is feeding him spoonfuls of rose-hip soup and bread that has been dipped into it.
Hjalmar would love to go off into the forest. I can tell by looking at him. He’s gazing at the spruce trees along the edge of their plot like a chained-up dog. He has a little cottage at Saarisuanto on the banks of the River Kalix. I know about it. I bet that’s what he’s thinking about.
He likes the remoteness there. He loves to get away from people. I wonder if he’s always been like that. Or if it began after the incident.
There was an incident in the village. A story that’s told behind the brothers’ backs.
It is early in the morning of June 17, 1956. Hjalmar Krekula is preparing to drive the cows out to their summer pasture. That is one of the tasks he has to perform during the summer holidays. The farms within the village are fenced in, and the cows are sent into the forest during the day to graze. In the evening theynearly always come home of their own accord, udders bulging, to be milked. But sometimes Hjalmar Krekula has to go to get them. They are especially difficult to bring home toward the end of summer. When they have been eating mushrooms among the trees. It can take hours to find them. Mushrooms tend to make them behave oddly.
The boys’ mother is in the kitchen, making packed lunches to
Similar Books
