Tipping the Velvet by Sarah Waters

chaperon now led us, and gave a little, tight-lipped smile of satisfaction. I understood, suddenly - what I had only half perceived before - that she had spent her life in plain, anonymous houses like this one, and knew no better. The thought gave me a little courage - and made me ache, as usual, with sympathy and love.
    Inside, too, the house was rather cheerier. We were met at the door by Mrs Dendy herself - a white-haired, rather portly lady, who greeted Mr Bliss like a friend, calling him ‘Wal’, and offering him her cheek to kiss - and shown into her parlour. Here she had us sit and remove our hats, and bade us make ourselves quite cosy; and a girl was called, then swiftly dispatched to bring some cups and brew some tea on our behalf.
    When the door was closed behind her Mrs Dendy gave us a smile. ‘Welcome, my dears,’ she said - she had a voice as damp and fruity as a piece of Christmas cake - ‘Welcome to Ginevra Road. I do hope that your stay with me will be a happy, and a lucky one.’ Here she nodded to Kitty. ‘Mr Bliss tells me that I’m to have quite a little star twinkling beneath my eaves, Miss Butler.’
    Kitty said modestly that she didn’t know about that, and Mrs Dendy gave a chuckle that turned into a throaty cough. For a long moment the cough seemed to quite convulse her, and Kitty and I sat up, exchanging glances of alarm and dismay. When the fit was passed, however, the lady seemed just as calm and jolly as before. She drew a handkerchief from her sleeve, and wiped her lips and eyes with it; then she reached for a packet of Woodbines from the table at her elbow, offered us each a cigarette, and took one for herself. Her fingers, I saw then, were quite yellow with tobacco stains.
    After a moment the tea things appeared, and while Kitty and Mrs Dendy busied themselves with the tray I looked about me. There was much to look at, for Mrs Dendy’s parlour was rather extraordinary. Its rugs and furniture were plain enough; its walls, however, were wonderful, for every one of them was crowded with pictures and photographs - so crowded, indeed, that there was barely enough space between the frames to make out the colour of the wallpaper beneath.
    â€˜I can see you are quite taken with my little collection,’ said Mrs Dendy as she handed me my tea-cup, and I blushed to find all eyes suddenly turned my way. She gave me a smile, and lifted her yellowed fingers to fiddle with the crystal drop that hung, on a brass thread, from the hole in her ear. ‘All old tenants of mine, my dear,’ she said; ‘and some of them, as you will see, rather famous.’
    I looked at the pictures again. They were all, I now saw, portraits - signed portraits most of them - of artistes from the theatres and the halls. There were, as Mrs Dendy had claimed, several faces that I knew - the Great Vance, for instance, had his photograph upon the chimney-breast, with Jolly John Nash, posed as ‘Rackity Jack’, at his side; and above the sofa there was a framed song-sheet with a sprawling, uneven dedication: ‘To Dear Ma Dendy. Kind thoughts, Good wishes. Bessie Bellwood’. But there were many more that I did not recognise, men and women with laughing faces, in gay, professional poses, and with costumes and names so bland, exotic or obscure - Jennie West, Captain Largo, Shinkaboo Lee - I could guess nothing about the nature of their turns. I marvelled to think that they had all stayed here, in Ginevra Road, with comely Mrs Dendy as their host.
    We talked until the tea was drunk, and our landlady had smoked two or three more cigarettes; then she slapped her knees and got slowly to her feet.
    â€˜I dare say you would like to see your rooms, and give your faces a bit of a splash,’ she said pleasantly. She turned to Mr Bliss, who had risen politely, when she had. ‘Now, if you could just apply your obliging arm to the young ladies’ boxes and things, Wal