and baby-shit): STEERING 7, BATH 6; STEERING 3, BATH 0. Nobody scored on Miles.
Captain
Miles Seabrook, as he was called in the third photo in the triptych, stared back at Jenny Fields in a uniform all too familiar to her. It was a flyboy’s suit, she saw in an instant; although the costumes changed between world wars, they did not change so much that Jenny failed to recognize the Reece-lined collar of the flight jacket, turned up at a cocky angle, and the confident, untied chin strap of the flight cap, the tipped up earmuffs (miles Seabrook’s ears could never get cold!), and the goggles pushed carelessly up off the forehead. At his throat, the pure white scarf. No score was cited beneath this portrait, but if anyone in the Steering Athletic Department had possessed a sense of humor, Jenny might have read: UNITED STATES 16, GERMANY 1. Sixteen was the number of planes Miles Seabrook shot down before the Germans scored on him.
Ribbons and medals lay dusty in the locked trophy case, like offerings at an altar to Miles Seabrook. There was a battered wooden thing, which Jenny mistook for part of Miles Seabrook’s shot-down plane; she was prepared for
any
tastelessness, but the wood was only all that remained of his last hockey stick. Why not his jock? thought Jenny Fields. Or, like a keepsake of a dead baby, a lock of his hair? Which was, in all three photos, covered by a helmet or a cap or a big striped sock. Perhaps, Jenny thought—with characteristic scorn—Miles Seabrook was hairless.
Jenny resented the implications lying honored in that dusty case. The warrior-athlete, merely undergoing an other change of uniform. Each time the body was offered only a pretense of protection: as a Steering School nurse, Jenny had seen fifteen years of football and hockey injuries, in spite of helmets, masks, straps, buckles, hinges, and pads. And Sergeant Garp, and the others, had shown Jenny that men at war had the most illusory protection of all.
Wearily, Jenny moved on; when she passed the display cases, she felt she was moving toward the engine of a dangerous machine. She avoided the arena-sized spaces in the gymnasium, where she could hear the shouts and grunts of contest. She sought the dark corridors, where, she supposed, the offices were. Have I spent fifteen years, she thought, to lose my child to
this
?
She recognized a part of the smell. Disinfectant. Years of strenuous scrubbing. No doubt that a gym was a place where germs of monstrous potential lay waiting for a chance to breed. That part of the smell reminded her of hospitals, and of the Steering infirmary—bottled, post-operative air. But here in the huge house built to the memory of Miles Seabrook there was
another
smell, as distasteful to Jenny Fields as the smell of sex. The complex of gym and field house had been erected in 1919, less than a year before she was born: what Jenny smelled was almost forty years of the forced farts and the sweat of boys under stress and strain. What Jenny smelled was
competition
, fierce and full of disappointment. She was such an outsider, it had never been part of
her
growing up.
In a corridor that seemed separated from the central areas of the gym’s various energies, Jenny stood still and listened. Somewhere near her was a weight-lifting room; she heard the iron bashing and the terrible heaves of hernias in progress—a nurse’s view of such exertion. In fact, it seemed to Jenny that the whole building groaned and pushed, as if every schoolboy at Steering suffered constipation and sought relievement in the horrid gym.
Jenny Fields felt undone, the way only a person who has been careful can feel when confronted by a mistake.
The bleeding wrestler was at that instant upon her. Jenny was not sure how the groggy, dripping boy had surprised her, but a door opened off this corridor of small, innocuous-appearing rooms, and the matted face of the wrestler was smack in front of her with his ear guards pulled so askew on his head that
Captain
Miles Seabrook, as he was called in the third photo in the triptych, stared back at Jenny Fields in a uniform all too familiar to her. It was a flyboy’s suit, she saw in an instant; although the costumes changed between world wars, they did not change so much that Jenny failed to recognize the Reece-lined collar of the flight jacket, turned up at a cocky angle, and the confident, untied chin strap of the flight cap, the tipped up earmuffs (miles Seabrook’s ears could never get cold!), and the goggles pushed carelessly up off the forehead. At his throat, the pure white scarf. No score was cited beneath this portrait, but if anyone in the Steering Athletic Department had possessed a sense of humor, Jenny might have read: UNITED STATES 16, GERMANY 1. Sixteen was the number of planes Miles Seabrook shot down before the Germans scored on him.
Ribbons and medals lay dusty in the locked trophy case, like offerings at an altar to Miles Seabrook. There was a battered wooden thing, which Jenny mistook for part of Miles Seabrook’s shot-down plane; she was prepared for
any
tastelessness, but the wood was only all that remained of his last hockey stick. Why not his jock? thought Jenny Fields. Or, like a keepsake of a dead baby, a lock of his hair? Which was, in all three photos, covered by a helmet or a cap or a big striped sock. Perhaps, Jenny thought—with characteristic scorn—Miles Seabrook was hairless.
Jenny resented the implications lying honored in that dusty case. The warrior-athlete, merely undergoing an other change of uniform. Each time the body was offered only a pretense of protection: as a Steering School nurse, Jenny had seen fifteen years of football and hockey injuries, in spite of helmets, masks, straps, buckles, hinges, and pads. And Sergeant Garp, and the others, had shown Jenny that men at war had the most illusory protection of all.
Wearily, Jenny moved on; when she passed the display cases, she felt she was moving toward the engine of a dangerous machine. She avoided the arena-sized spaces in the gymnasium, where she could hear the shouts and grunts of contest. She sought the dark corridors, where, she supposed, the offices were. Have I spent fifteen years, she thought, to lose my child to
this
?
She recognized a part of the smell. Disinfectant. Years of strenuous scrubbing. No doubt that a gym was a place where germs of monstrous potential lay waiting for a chance to breed. That part of the smell reminded her of hospitals, and of the Steering infirmary—bottled, post-operative air. But here in the huge house built to the memory of Miles Seabrook there was
another
smell, as distasteful to Jenny Fields as the smell of sex. The complex of gym and field house had been erected in 1919, less than a year before she was born: what Jenny smelled was almost forty years of the forced farts and the sweat of boys under stress and strain. What Jenny smelled was
competition
, fierce and full of disappointment. She was such an outsider, it had never been part of
her
growing up.
In a corridor that seemed separated from the central areas of the gym’s various energies, Jenny stood still and listened. Somewhere near her was a weight-lifting room; she heard the iron bashing and the terrible heaves of hernias in progress—a nurse’s view of such exertion. In fact, it seemed to Jenny that the whole building groaned and pushed, as if every schoolboy at Steering suffered constipation and sought relievement in the horrid gym.
Jenny Fields felt undone, the way only a person who has been careful can feel when confronted by a mistake.
The bleeding wrestler was at that instant upon her. Jenny was not sure how the groggy, dripping boy had surprised her, but a door opened off this corridor of small, innocuous-appearing rooms, and the matted face of the wrestler was smack in front of her with his ear guards pulled so askew on his head that
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