The Venging
great wheel's board of time, so I couldn't know exactly when the execution would take place. But I guessedfrom memories of a grumbling stomachthat it would be in the early afternoon. I traveled from one end of the nave to the other and, likewise, the transept. I nearly exhausted myself. Then, traversing an empty aisle, I picked up a piece of colored glass and examined it, puzzled. Many of the boys on all levels carried these shards with them, and the girls used them as jewelryagainst the wishes of their elders, who held that bright objects bred more beasts in the mind. Where did they get them? In one of the books I had perused years before, I had seen brightly colored pictures of the Cathedral windows. "Enlighten them," the giant had said. Psalo's request to let light into the Cathedral came to mind. Along the peak of the nave, in a tunnel running its length, I found the ties that held the pulleys of the canvases over the windows. The best windows, I decided, would be the huge ones of the north and south transepts. I made a diagram in the dust, trying to decide what season it was and from which direction the sunlight would comepure theory to me, but at this moment I was in a fever of brilliance. All the windows had to be clear. I could not decide which was best. I was ready by early afternoon, just after sext prayers in the upper nave. I had cut the major ropes and weakened the clamps by prying them from the walls with a pick stolen from the bishop's armory. I walked along a high ledge, took an almost vertical shaft through the wall to the lower floor, and waited. Constantia was watching from a wooden balcony, the bishop's special box for executions. She had a terrified, fascinated look on her face. Corvus was on the dais across the nave, right in the center of the cross of the transept. Torches illuminated him and his executioners, three men and an old woman. I knew the procedure. The old woman would castrate him first, then the men would remove his head. He was dressed in the condemned's red robe to hide any blood. Blood excitement among the impressionable was the last thing the bishop wanted. Troops waited around the dais to purify the area with scented water. I didn't have much time. It would take minutes for the system of ropes and pulleys to clear and canvases to fall. I went to my station and severed the remaining ties. Then, as the Cathedral filled with a hollow creaking sound, I followed the shaft back to my viewing post. In three minutes the canvases were drooping. I saw Corvus look up, his eyes glazed. The bishop was with (55 of 197) his daughter in the box. He pulled her back into the shadows. In another two minutes the canvases fell onto the upper scaffold with a hideous crash. Their weight was too great for the ends of the structure, and it collapsed, allowing the canvases to cascade to the floor many yards below. At first the illumination was dim and bluish, filtered perhaps by a passing cloud. Then, from one end of the Cathedral to the other, a burst of light threw my smoky world into clarity. The glory of thousands of pieces of colored glass, hidden for decades and hardly touched by childish vandals, fell upon upper and lower levels at once. A cry from the crowds nearly wrenched me from my post. I slid quickly to the lower level and hid, afraid of what I had done. This was more than simple sunlight. Like the blossoming of two flowers, one brighter than the other, the transept windows astounded all who beheld them. Eyes accustomed to orangey dark, to smoke and haze and shadow, cannot stare into such glory without drastic effect. I shielded my own face and tried to find a convenient exit. But the population was increasing. As the light brightened and more faces rose to be locked, phototropic, the splendor unhinged some people. From their minds poured contents too wondrous to be accurately cataloged. The monsters thus released were not violent, however, and most of the visions were not monstrous. The upper and

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