impression. You see, you've got to understand the whole background to this matter. For one thing, you see, from when I was four I had Mrs Tilkowski as my piano teacher. I suppose there's no reason why that would mean much to you, Mr Ryder, but you have to understand, Mrs Tilkowski is a very revered figure in this city, certainly not just any piano teacher. Her services aren't for sale in the usual way -though of course she takes fees like anyone else. That's to say, she's very serious about what she does and will only take children of the city's artistic and intellectual elite. For instance, Paulo Rozario, the surrealist painter, lived here for a time and Mrs Tilkowski taught both his daughters. And Professor Diegelmann's children. The Countess's nieces too. She chooses her pupils very carefully, and so you see I was very fortunate to get her, particularly since in those days Father didn't have the sort of standing in the community he has today. But I suppose my parents were as dedicated to the arts then as they are now. All through my childhood I remember them talking about artists and musicians and how important it was that such people were supported. Mother stays at home most of the time now, but in those days she was much more outgoing. If a musician, say, or an orchestra came through the town, she'd always make a point of going along to lend her support. She'd not only attend the performance, she'd always try and go to the dressing room afterwards to give her praise personally. Even if a performer had done badly, she'd still go to his dressing room afterwards to give a little encouragement and a few gentle hints. In fact she'd often invite musicians to visit our house, or else offer to take them on a tour around the city. Usually their schedules were much too full to take up her offers, but, as no doubt you can vouch yourself, such invitations are always very uplifting to any performer. As for my father, he was extremely busy, but I remember he too used to do his best. Certainly, if there was a reception held in honour of some visiting celebrity, he'd always make a point of accompanying Mother to it, no matter how busy he was, so that he could play his part in welcoming the visitor. So you see, Mr Ryder, as far back as I can remember, my parents have been very cultured people who appreciated the importance of the arts in our society, and I'm sure that's why Mrs Tilkowski finally agreed to take me on as a pupil. I can see now it must have been a real triumph for my parents at the time, particularly for Mother, who'd gone about all the arrangements. There I was, having lessons from Mrs Tilkowski alongside Mr Rozario's and Professor Diegelmann's children! They must have been so proud. And for the first few years I did very well, I really did, so much so that Mrs Tilkowski once called me one of the most promising pupils she'd ever had. Things really went well until… well, until when I was ten years old.'
The young man suddenly went silent, perhaps regretting having talked so freely. But I could see another part of him was eager to carry on with his revelations, and so I asked:
'What happened when you were ten?'
'Well, I'm ashamed to admit this, and to you of all people, Mr Ryder. But when I was ten, well, I just stopped practising. I'd turn up at Mrs Tilkowski's not having practised my passages at all. And when she asked why I hadn't, I'd just not speak. This is awfully embarrassing, it's like someone else I'm talking about, and I just wish by some magic it could be. But that's the truth, there you are, that's how I behaved. And after a few weeks of this, there was nothing for it but for Mrs Tilkowski to inform my parents that if things didn't change, she could no longer carry on with me. I later found out Mother lost her temper a little and shouted at Mrs Tilkowski. Anyway it all ended rather badly.'
'And after that you went to another teacher?'
'Yes, a Miss Henze, who wasn't at all bad. But she was hardly Mrs
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