The Unbound by Victoria Schwab Page A

do this, Mackenzie,” he says.
    I shrug. “I know.”
    Da wouldn’t like it. He wasn’t a fan of looking back, not when time was still rolling forward, and I know at the end of the day I haven’t done anything but give a man in an empty kitchen a way of clinging to the past. But people like me can reach out and touch memories with only our fingers, so we can’t really fault everyone else for wanting to hold on, too.
    The truth is, I get it. If someone could give me back the way our house felt when Ben was home, even a shred of it, I’d give them anything. People are made up of so many small details. Some
—
like the smell of cookies baking
—
we can recreate. Or at least try.
    The timer goes off inside the house. Mr. Phillip opens the door, takes a deep breath, and smiles. “Perfect.”
    Mr. Phillip liked to keep things neat. But on the screen, his apartment is in disarray. The room shown is one I only saw in passing on the way from the entry to the kitchen, an open living room with a wall of windows that look out onto a small, immaculate garden. But now the glass is shattered and the room is trashed, and Mr. Phillip is missing.
    I turn the volume up, and the reporter’s voice spills into the living room.
    “Well-known civil servant and recently retired judge Gregory Phillip is now considered a missing person, as well as the potential victim of an abduction.”
    “Mackenzie,” cuts in Dad, striding through the room. “You’re going to be late.”
    I hear the door close after him, but don’t take my eyes from the screen.
    “As you can see behind me,” continues the reporter, “this room of his house was found in a state of chaos—paintings ripped from the walls, books strewn across the floor, chairs toppled, windows shattered. Are these the signs of a violent struggle, or a robber trying to cover his tracks?”
    The camera cuts to a press conference, where a man with cropped reddish hair and a stern jaw issues a statement. A bar across the bottom of the screen identifies him as Detective Kinney. I wonder if he’s related to Amber.
    “There’s no denying the signs of foul play,” says Detective Kinney. His voice is low, gruff. “And at this time, we are treating the case as an abduction.” The camera cuts back to the still frame of the trashed room, but the detective’s voice plays eerily on. “We are investigating all possible leads, and anyone with information should contact—”
    I shut the TV off, but Mr. Phillip and the trashed room linger in my mind like echoes. What happened? When did it happen? Was I the last person to see him alive? Should I tell the police? What would I tell them? That I helped the man’s house smell like cookies?
    I can’t go to the cops. The last thing I need is more attention. Whatever happened to him, it’s tragic…but it’s got nothing to do with me.
    My phone goes off, and I realize I’m still standing in the empty living room, staring at the darkened screen. I dig it out of my bag to find a text from Wesley.
Got your battle armor on?
    I smile, haul my bag onto my shoulder, and text back:
Can’t decide what to wear over it.
    The conversation follows me down to the lobby.
What are your choices?
    Black, black, or black?
    My favorite color. You shouldn’t have.
    Slimming.
    Sexy.
    Sensible.
    And good for hiding bloodstains.
    I smile and pocket the phone as I reach Bishop’s. Mom is busy talking to Ms. Angelli, a cat-happy antiques dealer from the fourth floor, and I swipe a muffin and a coffee and head out, feeling more awake than I have in weeks. Four hours of sleep, I marvel as I unchain Dante and pedal off.
    I keep my eyes peeled for the golden man from yesterday, but he’s nowhere to be seen, and I actually start to wonder if he was ever there or if he was just another side effect of the sleeplessness. I hope for the latter, not wanting to think about what the former could mean.
    The morning is cool, and I balance my coffee on the handlebars with one hand