âYou know better than anyone that when Nancy spoke to me about your . . . eccentricities, shall we call them, I chose to be tolerant. She acted like a good tenant should, and Iâm not going to consent to you bothering her, not her or any of the rest of the tenants, as you certainly did me the other day calling me at an unreasonable hour, probably drunk.â
âMrs Workman ââ
âDonât interrupt me,â Mrs Workman interrupted him. âYou were lucky I was half asleep and donât really remember what you said. Or I probably donât want to remember. Anyway, let me tell you something: I accept that you and Nancy donât get along, youâve had problems, but although I donât blame you entirely, Nancy has been a tenant here longer than any other and has more right than you to stay here; furthermore, sheâs never given me any reason to worry. Iâd rather my tenants got along, but I assure you if I have one single further complaint about you or you start behaving strangely again I wonât have the slightest reservation about throwing you out.â
âBut Mrs Workman,â Mario complained weakly. âIt was you yourself who introduced me to Mr Berkowickz and ââ
âLook, Mr Rota,â said Mrs Workman in a final-sounding tone of voice. âStop talking nonsense. I donât know who Mr Berkowickz is, nor do I care. I donât want to discuss the matter further; itâs all been said. But I repeatfor the last time: I hope I donât have another complaint about you. And my advice to you is to give up drinking.â
Mrs Workman hung up. She went to the bathroom, washed her face and hands, looked in the mirror, put a bit of colour on her cheeks and lips, brushed her hair, then she dabbed a bit of perfume behind each earlobe. She returned to the room and picked up a beige handbag and a linen jacket that she put on in the kitchen as she took a last look around the house.
She drove out of the garage and took Ellis Avenue up to Green. At the intersection she stopped at the traffic lights. Then, as she waited abstractedly for the lights to change, she murmured, âBerkowickz.â
XXI
Sitting on the sofa in the dining room, Mario lit a cigarette; he inhaled the smoke contentedly. Then he dialled a telephone number.
âGinger?â he said when a feminine voice answered. âItâs Mario.â
âHow are you, Mario?â said Brenda. âGinger hasnât come home yet. Do you want me to give her a message?â
Mario hesitated, then he said, âTell her I called and that . . .â
âOh, youâre in luck,â said Brenda. âGingerâs just coming in. Iâll put her on, Mario. See you.â
Mario heard an indistinct murmur down the line.
âMario?â said Ginger a moment later. âHow are you?â
âFine,â said Mario. âI was just wondering if you were doing anything this evening.â
âNothing special,â said Ginger. âWhy?â
âI donât know,â said Mario. âI thought you might like to come over here for a bite to eat.â
âSounds like a great idea,â said Ginger. âWhat time do you want me to come over?â
âWhenever suits you,â said Mario. âRight now, if you want.â
âIâll be right over,â said Ginger. And hung up.
Mario took a last puff of his cigarette and put it out in the ashtray. He looked at all the books and papers in a disorderly pile on the arm of the sofa; he thought about sorting them out, taking them through to the study to fill the time till Ginger arrived.
Then he got an idea. He stood up and stealthily opened the apartment door; he crossed the landing. Pressing his ear to the door opposite, he held his breath, listened in silence.
âIâve had it up to here with you, you Italian pig!â he heard thundering behind his back. âUp to
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