doubt they lived happily ever after – luck of the gyppos, I suppose. And I’ve said too much, always do when I’ve been on the gin. Well, g’night, I’m falling asleep on my feet. See you on the morrow, old chum.’
He sauntered out, and Edward relaxed, stretching his hands, his fingers . . . Then he undressed and lay, naked, on the small bed. He was sure Charlie had no inkling of his background, it had been sheer coincidence. Freedom Stubbs and Edward were too far apart, worlds apart now, and no one could link him with the gypsy and the ‘whore’, as Charlie had called her. He turned to lie on his belly. He would make sure no one else would make the connection.
Softly, he practised his speech over and over again, listening to his voice, modulating the accent Lady Primrose had mimicked so poorly, flushing as he remembered. He knew she would have been horrendous to his mother, and he would have liked to shove the cufflinks down the old fool’s throat. He found himself wondering if his mother had been David Collins’ girlfriend, and why a man as well connected as the captain would have been involved with a girl like her. He would have liked to get up and leave there and then, but he was stuck without enough cash to walk away. Anyway, something held him here, held him to this dead boy’s room, to these half-dead people. Somehow he knew that by the end of the summer he would change.
Eventually he slept, while the noose he had made out of his tie slid slowly from the door to lie on the floor.
The following morning, Edward borrowed a bicycle and rode into the nearest town. He spent four hours in the public library, looking over the old newspaper cuttings of the trial of Freedom Stubbs. His mother had never mentioned her past, her life in the valleys or the murder trial.
His father, the man Edward had knifed to death, had himself been charged with four murders. Again and again Edward turned the pages to look at the black-and-white photograph of Freedom. The strange, youthful face glared back. In one shot, his long hair swirled around his shoulders as if daring the photographer to take his image. There were also several photographs of his mother, often blurred, out of focus, but it was Evelyne, haughty yet shy, arrogant yet so innocent. The photograph touched a chord inside him that made him ache to see her.
He read the articles over and over; how she had become a heroine, standing as a witness for a man she barely knew because she believed in justice. There was an account of how she had been asked, before the jury, if she had had any kind of sexual relationship with the accused, and she had replied that she had not, she was there simply to see that an innocent man did not hang. She had been with the gypsy on the night of the last murder and knew he could not have committed it. The lawyers were able to prove him innocent of all charges, and he was freed.
Edward wondered if her story was true. It certainly read so, yet his mother had eventually married Freedom. There was so much he wanted to ask her, so much he wanted to know, but he knew he now had no right ever to ask. He had killed the man she had saved from the rope, killed his own father – he even mused over the fact that it was possible his father had been a murderer. He read of the way the gypsy had caught the press’s imagination with his handsome looks, much like the film star, Valentino. With a sense of foreboding he read of the curse sign on each of the four young miners’ foreheads. So much he had no knowledge of, so much of his father he had never known. And the more he read the surer he was that he did not want it known, the more he reconciled himself to moving further and further away from his roots. He wanted no part of this past, no whispers attached to him of his gypsy father; yet carefully, surreptitiously, he cut out as many of the newspaper photographs as possible. Then he returned to the castle.
The days passed by, and although Edward spent
He sauntered out, and Edward relaxed, stretching his hands, his fingers . . . Then he undressed and lay, naked, on the small bed. He was sure Charlie had no inkling of his background, it had been sheer coincidence. Freedom Stubbs and Edward were too far apart, worlds apart now, and no one could link him with the gypsy and the ‘whore’, as Charlie had called her. He turned to lie on his belly. He would make sure no one else would make the connection.
Softly, he practised his speech over and over again, listening to his voice, modulating the accent Lady Primrose had mimicked so poorly, flushing as he remembered. He knew she would have been horrendous to his mother, and he would have liked to shove the cufflinks down the old fool’s throat. He found himself wondering if his mother had been David Collins’ girlfriend, and why a man as well connected as the captain would have been involved with a girl like her. He would have liked to get up and leave there and then, but he was stuck without enough cash to walk away. Anyway, something held him here, held him to this dead boy’s room, to these half-dead people. Somehow he knew that by the end of the summer he would change.
Eventually he slept, while the noose he had made out of his tie slid slowly from the door to lie on the floor.
The following morning, Edward borrowed a bicycle and rode into the nearest town. He spent four hours in the public library, looking over the old newspaper cuttings of the trial of Freedom Stubbs. His mother had never mentioned her past, her life in the valleys or the murder trial.
His father, the man Edward had knifed to death, had himself been charged with four murders. Again and again Edward turned the pages to look at the black-and-white photograph of Freedom. The strange, youthful face glared back. In one shot, his long hair swirled around his shoulders as if daring the photographer to take his image. There were also several photographs of his mother, often blurred, out of focus, but it was Evelyne, haughty yet shy, arrogant yet so innocent. The photograph touched a chord inside him that made him ache to see her.
He read the articles over and over; how she had become a heroine, standing as a witness for a man she barely knew because she believed in justice. There was an account of how she had been asked, before the jury, if she had had any kind of sexual relationship with the accused, and she had replied that she had not, she was there simply to see that an innocent man did not hang. She had been with the gypsy on the night of the last murder and knew he could not have committed it. The lawyers were able to prove him innocent of all charges, and he was freed.
Edward wondered if her story was true. It certainly read so, yet his mother had eventually married Freedom. There was so much he wanted to ask her, so much he wanted to know, but he knew he now had no right ever to ask. He had killed the man she had saved from the rope, killed his own father – he even mused over the fact that it was possible his father had been a murderer. He read of the way the gypsy had caught the press’s imagination with his handsome looks, much like the film star, Valentino. With a sense of foreboding he read of the curse sign on each of the four young miners’ foreheads. So much he had no knowledge of, so much of his father he had never known. And the more he read the surer he was that he did not want it known, the more he reconciled himself to moving further and further away from his roots. He wanted no part of this past, no whispers attached to him of his gypsy father; yet carefully, surreptitiously, he cut out as many of the newspaper photographs as possible. Then he returned to the castle.
The days passed by, and although Edward spent
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