supernatural script. I said, "I thought it might be better to keep your mind off it, whatever it was."
"No doubt it would, if only we could do it. It was a chair."
"A chair?"
"An old chair. And a table, and several other things. It seems that there is a shop in the Turners' Street that sells old furniture to the eclectics, and to those among the autochthons who have absorbed enough of our culture to want it. There is no source here to supply the demand, and so two or three times a year the owner and his sons go to Nessus—to the abandoned quarters of the south—and fill their boat. I talked to him, you see; I know all about it. There are tens of thousands of empty houses there. Some have fallen in long ago, but some are still standing as their owners left them. Most have been looted, yet they still find silver and bits of jewelry now and then.
And though most have lost most of their furniture, the owners who moved almost always left some things behind."
I felt that she was about to weep, and I leaned forward to stroke her forehead. She showed me by a glance that she did not wish me to, and laid herself on the bed again as she had been before.
"In some of those houses, all the furnishings are still there. Those are the best, he said. He thinks that a few families, or perhaps only a few people living alone, remained behind when the quarter died.
They were too old to move, or too stubborn. I've thought about it, and I'm sure some of them must have had something there they could not bear to leave. A grave, perhaps. They boarded their windows against the marauders, and they kept dogs, and worse Wolfe,_Gene_-_Book_of_the_New_Sun_3_-_The_Sword_of_the_Lictor things, to protect them. Eventually they left—or they came to the end of life, and their animals devoured their bodies and broke free; but by that time there was no one there, not even looters or scavengers, not until this man and his sons."
"There must be a great many old chairs," I said.
"Not like that one. I knew everything about it—the carving on the legs and even the pattern in the grain of the arms. So much came back then. And then here, when I vomited those pieces of lead, things like hard, heavy seeds, then I knew. Do you remember, Severian, how it was when we left the Botanic Garden? You, Agia, and I came out of that great, glass vivarium, and you hired a boat to take us from the island to the shore, and the river was full of nenuphars with blue flowers and shining green leaves. Their seeds are like that, hard and heavy and dark, and I have heard that they sink to the bottom of Gyoll and remain there for whole ages of the world. But when chance brings them near the surface they sprout no matter how old they may be, so that the flowers of a chiliad past are seen to bloom again."
"I have heard that too," I said. "But it means nothing to you or me."
Dorcas lay still, but her voice trembled. "What is the power that calls them back? Can you explain it?"
"The sunshine, I suppose—but no, I cannot explain it."
"And is there no source of sunlight except the sun?"
I knew then what it was she meant, though something in me could not accept it.
"When that man—Hildegrin, the man we met a second time on top Wolfe,_Gene_-_Book_of_the_New_Sun_3_-_The_Sword_of_the_Lictor of the tomb in the ruined stone town—was ferrying us across the Lake of Birds, he talked of millions of dead people, people whose bodies had been sunk in that water. How were they made to sink, Severian? Bodies float. How do they weight them? I don't know. Do you?"
I did. "They force lead shot down the throats."
"I thought so." Her voice was so weak now that I could scarcely hear her, even in that silent little room. "No, I knew so. I knew it when I saw them."
"You think that the Claw brought you back."
Dorcas nodded.
"It has acted, sometimes, I'll admit that. But only when I took it out, and not always then. When you pulled me out of the water in the Garden of Endless Sleep, it was in my
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