much as sensed them. I didnât know what to do. Where to go. Can you help me? I recognized the dark voice. The voice Iâd prayed was my imagination. âAre you . . .â I hesitated. I still couldnât bring myself to name him. If it were true . . . If Iâd conjured him, then it meant that likemy mother, I was . . . Except I had to know. I took a deep breath and whispered my question. âAre you Jean Luc Forêt?â Yes. Even though Iâd assumed he was, I was stunned. How do you know my name? âFrom your mother.â Can you help me? I donât know where I am. âIâm not sure.â Was his soul trapped between this world and the next? Iâd read about the Bardo in Annaâs books. A Buddhist concept describing the place a soul waits between the end of life and being reborn. Sheâd thought some of my soldiers might be speaking from that astral plane, but I didnât know what I believed. Before, it seemed as if the dying soldiers had somehow left behind messages for their loved ones as they moved on, and all Iâd done was sift through the detritus of everyoneâs thoughts to find the right ones. With Jean Luc I still had to sift through the clamor and racket of the universe, but his voice pulsed with urgency and desperation as he communicated directly with me. Am I with you? Where you are? âIâm not sure. Iâm in a shelter underneath a shop.â A shop? âIn Paris.â This was bizarre. Impossible. Beyond reason. Irrational. Iâm not actually there, though. Am I? âI donât know.â I looked around the shelter in its shadows. I waved my hands in front of me and to the side. I felt nothing. âI donât see you. What can you see? Can you see me?â Iâm staring into darkness, but up ahead I can see light where your voice comes from. âLight?â Lovely light. Itâs the light that youâre made of, I think. Itâs almost the shape of a woman. âBut you canât see anything else? Nothing around you?â Nothing around me. Just your form made of light. Golden light streaming from your outline. âGolden light?â Yes. Itâs beautiful. As if you were made of gold. âIâm a jeweler.â He sighed. As if the color of the gold made sense to him now. How did you find me? âI think you found me. Through the jewelry I was working on. I make mourning jewelry. Sometimes I get messages from dead soldiers to give to their families. I was making a talisman for your mother.â There are a dozen soldiers dead because of me and . . . His next words faded out, and I leaned forward into the gloomy shelter as if that might help me hear him more clearly. Jean Lucâs voice sounded anguished. It was all my fault. âYou couldnât have known a bomb was going to hit. You canât blame yourself.â All my men. âHow can I help you?â Canât. No one can. Itâs too late. âYou must need something.â Why do you think so? âBecause I can hear you. Why else would I be able to hear you if it wasnât so I could help you?â Iâd never had a conversation with one of the soldiers before, and even as I was having this one, I knew the impossibility of it. My imagination finally had taken over. The war and the endless reports of more soldiers dying and the sadness that multiplied with every passing day and the ever-present threat from the bombs that keptcoming . . . it was all too much. Iâd snapped like the soldiers who came back, I thought. My fate was mirroring theirs. Surely I was a victim of the same war fatigue as so many others in Paris, in France, all over the world. Too much death, too much grief, too much fear. And now Iâd manufactured my own soldier so I could help someone and feel I was pulling my weight. No, not your imagination. I heard