The Restless Supermarket by Ivan Vladislavic

enough.’ I did too, although we were not friends as such. There was something heroic in her efforts to be light, to keep her bulk afloat on such a thin stream of sound. Her fingertips touched the keys with exquisite delicacy, defying gravity, skipping like a flurry of raindrops across the surface of a pond, producing ever more intricate Venn diagrams of interlocking ripples.
    Spilkin and I sat up straighter than usual, while she paddled through ‘Swanee River’.
    ‘Her name,’ Spilkin whispered, ‘is Suzanna, but I promised not to tell. She enjoys being Mevrouwed. Bit of a snob, never mind the country-girl stuff.’
    Total snob, in reverse, to a degree (6). National serviceman in a boa (6). New edition of Bosman (6).
    When she rolled without missing a beat into ‘Red Sails in the Sunset’, we gave her a round of applause, which found a few polite echoes at the other tables – or it may have been draughtsmen clacking over their foes. She showed us her grateful yellowed ivories.
    ‘Just this once’ was no more than a manner of speaking. Mevrouw Bonsma acquired a permanent place at our table. She would join us between shifts at the piano, to moisten her throat with the mug of tea or rock shandy to which her contract entitled her. She laughed voraciously at Spilkin’s jokes, as if she were crushing rusks between her molars, and left fading echoes of her laughing mouth on the rim of her teacup and the ends of her satin-tipped cigarettes.
    Once had been a tolerable novelty; but being in her company constantly aggravated me. The sheer bulk of her was an imposition. When she sat down at the table, I felt myself rise momentarily in my own chair, as if the room had subsided in her vicinity. She loomed over us like a dam wall, which had seemed sturdy enough when observed from a safe distance, but appeared to be crumbling away now that we squatted, like a pair of truant schoolboys, in the damp shade at its foot. I felt as if I was on the shores of Mevrouw Bonsma .The phrase rang in my head, trying to fit itself to the tune of ‘Loch Lomond’ or ‘On Top of Old Smokey’, without success. Always, it was Rotterdam I saw. Such a watery fecundity! What if she burst? I would be washed away like a stick of balsa on a flood of evergreens. Even when she went back to the piano, the threat remained. She had elbowed her way out of the background to which she belonged, and could no longer be ignored. When she played, we had to listen. Her personal favourites bubbled along perkily, flats tumbling like little propellers, sharps concealed like lures in soft lumps of melody. The special requests, hauled up from the abysmal deeps, could be positively sodden. More than once I felt as if I was drowning.
    It was impossible to discuss my fears with Spilkin. I could not be sure what he thought of Mevrouw Bonsma. He seemed to like her a great deal. But then he also treated her as if she were a fool. He thought nothing of speaking about her in the third person, while she sat nodding pleasantly, fingering the ugly beauty spot stuck like a pastille of salted licorice to the corner of her mouth.
    As an act of self-preservation, to save myself from being swept away, I began to tell her about my System of Records. ‘Over my head,’ she protested, ‘Greek to me. I’m no good with words.’ But she was impressed with me, I could tell, she thought I was frightfully clever, and so I kept pressing my clippings on her and reading her extracts from the notebooks. At other times, it was lexical gymnastics, flashy routines full of pikes and rolls and tearles with a twist, moves I could execute in my sleep. ‘ Medley , Mevrouw,’ I would say. ‘Heterogeneous mixture. See meddle. Meddle , busy oneself unduly. And mêlée . Same root in “mix” – from the Latin misceo .’Then again: ‘Do you see, Mevrouw,’ I would say. ‘ Wormwood . From the OE wormod , wermod ,after worm, wood: cf vermouth. And vermouth . From the G. Wermut ,wormwood. That’s