The Restless Supermarket by Ivan Vladislavic Page A

what we call a backflip. Let me show you how it works here in the dictionary.’ And sometimes, when both of us were exhausted, I would fall back on frenzied bouts of lexical fartlek. ‘Here we are: absinth . A shrubby plant, Artemisia absinthium ,or its essence. Also called “wormwood”. Hence a liqueur flavoured with wormwood. Are you still with me? Artemisia . Any of various plants, including sagebrush and wormwood, f. ME , f. L., f. G. plant sacred to Artemis. Artemis . G. Myth. The virgin goddess of the hunt and the moon. Sagebrush perhaps? f. L. salvia ,the healing plant, from salvus ,healthy, safe. Salvation !’ And so on. She would bite her bottom lip with her ragged incisors and gaze at me anxiously. I had the distinct impression that she admired me, an impression I had not gained from a member of the fairer sex (to stretch a point) for quite some time, and it flattered my vanity, I suppose, or what few shreds of it remained. I couldn’t help myself: I began to take pleasure in making her clap one of her big red hands to her mouth in astonishment and delight.
    My behaviour was uncharacteristic; obviously, it lacked the decorum people associate with me. And it appeared to infect Spilkin too. Lapsing out of character, just as I had done, he began to tell jokes. Have you heard the one about? he was always asking. Mevrouw Bonsma, who did not have a funny bone in her body, declared that he was the wittiest man alive. Under this onslaught, shoals of old punchlines came adrift in my head and slewed about, looking for jokes to attach themselves to. Knock knock. Who’s there? Ja. Ja who? Boo. Boo who? To get to the other side. And one to hold the light bulb. Because it feels so good when I stop. What was that Indian’s name again? Said the Texan. Said the Irishman. Said the Jew. Clutter and disorder. I found myself plucking index cards out of box-files like some door-to-door salesman in a cartoon, an ugly little man with Dagwood Bumstead shoes and a daft hairstyle. Spilkin told another joke, something off-colour, lime-green, puce.
    What was this attack of nerves all about? To speak for myself, I found the lack of discrimination in Mevrouw Bonsma’s dim interior alarming. A great jumble of music had been poured into her, like leftovers into an olla podrida, and it bubbled out in an indiscriminate broth. I am a repository too; but in me, everything has its place. In me, things are filed, whereas she was merely filled.
    I imagined that Spilkin, with his fine sense of discrimination, felt the same. When Mevrouw Bonsma sat at our table, we burbled away desperately, as if trying to mend a crack in her foundation. When she returned to her piano, we sat in depleted silence, with our backs stiff and our fists clenched on our knees, while our newspapers lay unread on the table before us. When I went home exhausted, Spilkin was still clamped to the table under the sconce, like a floodlit statue.
    Later it occurred to me that if Spilkin had felt the same anxieties as I did, he would have responded with a recitation of the eye chart or some favourite prescriptions, a mortar of solid sense, rather than this sludge of inane jokes. In the light of his subsequent behaviour, I came to believe, strange as it may seem, that he was competing with me for her favours. In which case he had infected me !
    Then Mevrouw Bonsma, bless her chapped heels, announced that she had invited Merle and Benny to join us for afternoon tea.
    More people! I was mortified. But as it happened, the newcomer – because there was only one – was just what was needed to restore our equilibrium.
    *
    Benny turned out to be a Pekingese, a canine knick-knack, disproportionately fierce. Benito, I called her afterwards: Il Puce, The Fleabag. In those days, animals were not allowed into the Europa, and so she spent her first visit to the Café tethered to a downpipe next to the door, nipping at the heels of patrons as they came and went. She had a go at my turn-ups, but