The Restaurant at the End of the Universe by Douglas Adams

thirty-seven miles from the stage, whilst the musicians themselves play their instruments by remote control from within a heavily insulated spaceship which stays in orbit around the planet - or more frequently around a completely different planet.

Their songs are on the whole very simple and mostly follow the familiar theme of boy-being meets girl-being beneath a silvery moon, which then explodes for no adequately explored reason.

Many worlds have now banned their act altogether, sometimes for artistic reasons, but most commonly because the band's public address system contravenes local strategic arms limitations treaties.

This has not, however, stopped their earnings from pushing back the boundaries of pure hypermathematics, and their chief research accountant has recently been appointed Professor of Neomathematics at the University of Maximegalon, in recognition of both his General and his Special Theories of Disaster Area Tax Returns, in which he proves that the whole fabric of the space- time continuum is not merely curved, it is in fact totally bent.

Ford staggered back to the table where Zaphod, Arthur and Trillian were sitting waiting for the fun to begin.

"Gotta have some food," said Ford.

"Hi, Ford," said Zaphod, "you speak to the big noise boy?"

Ford waggled his head noncommittally.

"Hotblack? I sort of spoke to him, yeah."

"What'd he say?"

"Well, not a lot really. He's ... er ..."

"Yeah?"

"He's spending a year dead for tax reasons. I've got to sit down."

He sat down.

The waiter approached.

"Would you like to see the menu?" he said, "or would you like to meet the Dish of the Day?"

"Huh?" said Ford.

"Huh?" said Arthur.

"Huh?" said Trillian.

"That's cool," said Zaphod, "we'll meet the meat."

In a small room in one of the arms of the Restaurant complex a tall, thin, gangling figure pulled aside a curtain and oblivion looked him in the face. It was not a pretty face, perhaps because oblivion had looked him in it so many times. It was too long for a start, the eyes too sunken and too hooded, the cheeks too hollow, his lips were too thin and too long, and when they parted his teeth looked too much like a recently polished bay window. The hands that held the curtain were long and thin too: they were also cold. They lay lightly along the folds of the curtain and gave the impression that if he didn't watch them like a hawk they would crawl away of their own accord and do something unspeakable in a corner.

He let the curtain drop and the terrible light that had played on his features went off to play somewhere more healthy. He prowled around his small chamber like a mantis contemplating an evening's preying, finally settling on a rickety chair by a trestle table, where he leafed through a few sheets of jokes.

A bell rang.

He pushed the thin sheaf of papers aside and stood up. His hands brushed limply over some of the one million rainbow-coloured sequins with which his jacket was festooned, and he was gone through the door.

In the Restaurant the lights dimmed, the band quickened its pace, a single spotlight stabbed down into the darkness of the stairway that led up to the centre of the stage.

Up the stairs bounded bounded a tall brilliantly coloured figure. He burst on to the stage, tripped light ly up to the microphone, removed it from its stand with one swoop of his long thin hand and stood for a moment bowing left and right to the audience acknowledging their applause and displaying to them his bay window. He waved to his particular friends in the audience even though there weren't any there, and waited for the applause to die down.

He held up his hand and smiled a smile that stretched not merely from ear to ear, but seemed to extend some way beyond the mere confines of his face.

"Thank you ladies and gentlemen!" he cried, "thank you very much. Thank you so much."

He eyed them with a twinkling eye.

"Ladies and gentlemen," he said, "The Universe as we know it has now been in existence for over one